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Chris Knight On Creating The Dramatic Portrait

June 29, 2017 by Seshu | Editor & Publisher

Chris Knight is a photographer based in New York City. We sat down to talk about his upcoming book, The Dramatic Portrait.

He combines his unconditional love of art history with his conditional love of technology, topping it off with a flare for the cinematic and an uncompromising eye for detail.

Chris also has a full blown workshop via RGGEDU.com called Dramatic Portraiture & Lighting With Chris Knight.

Use the code: TIFFINBOX (to get 15% off for a very limited time)

The Interview

The questions I asked Chris:

1) I love reading biographies on photographer's websites and yours stands out a bit.

Speaking of yourself you say: “He combines his unconditional love of art history with his conditional love of technology, topping it off with a flare for the cinematic and an uncompromising eye for detail.”

Where did you acquire that kind of discipline?

2) Your photographs remind me of paintings that one would see in a museum. Is that your end goal?

3) Why is drama so important to you in portraits?

4) You give light and shadow almost equal value in telling a story. Most of your photographs don't draw attention to the use of artificial light. Is that a skill that was taught to you or is it something that you have honed yourself?

5) Let's talk about your book, The Dramatic Portrait: The Art of Crafting Light and Shadow. What prompted you to write this book and who is it for?

6) Most photography books about portraits jump right into loop lighting or Rembrandt lighting. You spend nearly 40 pages describing the history of portraiture? Why do you believe this is important?

7) You say: “The hows and whys are inextricably entangled in a successful photograph, and hitting both of those points shows mastery of the technical medium.” Can you explain that briefly?

8) What does it mean to you to have a published book? Does it open more doors for you to teach?

9) What can we expect from you next?

10) How can people find you and your work online?

The Dramatic Portrait

Buy Chris Knight's book now or buy the PROEDU.com tutorial today. For a limited time, PROEDU.com is including the book with the purchase of the tutorial.

Do you prefer to buy The Dramatic Portrait on Amazon?

You can also catch Chris Knight teaching at CreativeLive in these online workshops:

Exploring Low Key Portraiture

Creating Advanced Masks

How To Work Faster In Adobe Photoshop CC

Feel free to use this affiliate link for CreativeLive when you browse through Chris Knight's courses.

The Portrait Portfolio

Here's a small sample of Chris' portrait photography. I urge you to visit his website and bookmark it. It's absolutely stunning work!

Photographing Men, Portraits And Fashion Photography

March 1, 2016 by Seshu | Editor & Publisher

The Book Hunt

Go to your local bookstore or hit Amazon up and do a quick search for “photographing men.”

Seriously, go right now and do it. I'll wait. Cue the Jeopardy theme song.

Oh, back so soon? I am not surprised.

Until recently, you would have been able to only locate one book.

Seriously?

Unbelievable, right? A world full of guys and it would seem no one has had the vision to focus on that very obviously under-served niche.

Well, Jeff Rojas a portrait and fashion photographer based in New York City decided to do something about that. In a couple of weeks, he will be launching a new book titled, Photographing Men: Posing, Lighting, and Shooting Techniques for Portrait and Fashion Photography.

Solving The Problem

Photographing Men

Now go take a look at Rojas' work, or cast your eyes below on a few samples:

The CreativeLive Courses

I don't know about you, but while I love books and my library is full of them, there is a certain thrill of learning in-person or if that doesn't work with your schedule, going online. It was Jeff Rojas' CreativeLive course, “Men's Portrait Photography,” that inspired me to contact him. Soon I also bought his shorter course, “How To Photograph Men.”

You see, I was working full time at an all-boys prep school in Connecticut and one of the most difficult things you will encounter as a photographer is to posing teenagers. First off, they may give off the vibe that they aren't into it but if you know what you are doing and you can put them at ease, they come alive and are eager to work with you. Jeff Rojas' courses came in handy because I was able to make these young guys look and feel good when they saw the final results. So, I owe it to Jeff Rojas and his courses for elevating my skills.

The Giveaway

If you have scrolled all the way down here, you deserve to be rewarded. But let's make this a game shall we? I have a code for Jeff's Men's Portrait Photography course on CreativeLive to give away to one lucky person who pre-orders his book between tonight and March 3rd. I will announce a winner on my Twitter account, so be sure to follow me there.

Pre-order the book using this link, then email me at seshu (at) tiffinbox (dot) org with your receipt. The subject line of the email should be “Photographing Men by Jeff Rojas – Giveaway”. In your email to me, please include your Twitter ID, so that I can mention it if you win! But the CreativeLive checkout code you see blurred out above will only be emailed to ONE winner. Capiche?

I am the final arbiter of this game. If you do win it's because you followed the simple rules and you are a good sport. Bonus if you leave a comment below telling me why the course would complement the book you just bought.

Remember, this is for any pre-orders of Jeff's book, only from tonight through March 4th, though. If you click on any of the links in this post mentioning the book, you will be directed to Amazon where you can easily order the book and have it delivered it you after it launches on March 15th.

Sound good? Good luck! And, here's to making a difference in men's lives by creating stunning portraits of them too!

Sean Kernan, Looking Into The Light: A Workshop-In-A-Book

November 22, 2014 by Seshu | Editor & Publisher

Sean Kernan is a photographer, teacher and author based in Connecticut. He often teaches at the Maine Media Workshops + College.

We sat down to talk about his new book, Looking Into The Light, which helps photographers resuscitate their sense of discovery and wonder through exercises and practice. It is, as Kernan says, a workshop in a book, so it isn't something you should read cover to cover in one sitting. It is to be nibbled at and examined in a mindful manner.

These exercises will “let you be empty and expectant” at the same time, allowing you a “spaciousness of mind,” for injecting a sense of play and imagination into your photography style.

Grab this random chapter from the book to get a sense of what is in the book. I think you will really like it! And, if you do buy the book, please come back here and share with me the results of the exercises. How did you feel before reading and doing the exercises and then after it? What changed in you? Were your images different in some way? How do you think the suggestions Kernan makes improved you and or your photography?

If you enjoyed this interview, please share it with your friends and family. Also, don't forget to subscribe to TiffinboxTV. Lastly, please suggest other people I should speak with for this program. Your input is always welcome!

Jab, Jab, Jab, Right Hook: Gary Vaynerchuk’s New Book

November 26, 2013 by Seshu | Editor & Publisher

Friends from Inspire Photo Retreats, welcome!! Read the post, watch the interview below and then scroll down some more for some special offers just for you!

Gary Vaynerchuk knows a thing or two about selling wine. But he also knows how you (yes, you) can stand out in a noisy, social world. He has even written a book about it and it comes out today!

Gary is an energetic entrepreneur who someday wants to own the NY Jets. He is also frenetically involved in social media. Twitter, Facebook and Tumblr are his chosen platforms and he dominates each one like no other. I've been following him online, watching his videos (about wine or running business) and have read his books, Crush It!: Why NOW Is the Time to Cash In on Your Passion & The Thank You Economy, cover to cover. I love his tell-it-like-it-is style of writing and his fearlessness to experiment to see what works and what doesn't.

Like the last time, when Gary launched his book, The Thank You Economy, I had the opportunity to sit down with him to about his new book, Jab, Jab, Jab, Right Hook: How To Tell Your Story In A Noisy, Social World.

Jab, Jab, Jab, Right Hook launches today, so if you get the chance, buy it right away. Make it part of your winter reading.

Here, however thanks to this interview's sponsors, ShootProof & Queensberry Albums, you now have a chance to win ONE of 50 copies that will be given away.

Simply follow these 5 steps to be entered into the drawing:

1) Post a comment or ask a question that's pertinent to this new book below (include a valid email address)
2) LIKE Tiffinbox on Facebook – http://facebook.com/tiffinboxmedia
3) LIKE ShootProof on Facebook – http://facebook.com/shootproof
4) LIKE Queensberry on Facebook – http://facebook.com/queensberryalbums
5) Share This Post on your Twitter or Faceboook accounts and use these hashtags – #tiffinbox #jjjrh

Winners will be notified by email. So, please include an email in the comments section below. If you don't have a valid email address or if I can't contact you, you forfeit the book and it will be shipped to the next person I choose.

I want to once again thank ShootProof & Queensberry Albums for sponsoring this interview with Gary Vaynerchuck.

ShootProof is the online hub for professional photographers. ShootProof empowers event photographers to share, sell and print their work with no commission fees. ShooProof is innovative, they listen, and they focus on helping photographers increase sales while simplifying the proofing, buying and fulfillment process with their clients. Use code: “PDN13” to receive $50 off one year to any ShootProof plan.

Queensberry has it's history based in albums, books and weddings but really has always really been about helping photographers make more money and/or save time. Their desire is that they inspire people to aim high and do something great and deserving of the life they've been blessed with. Today Queensberry‘s heart is still firmly beholden to professional photography and is now so much more than just great wedding albums with services including Professional Printing, Professional Art and Design and of course it's cloud application, Workspace.

The Queensberry Special Offer: 40% off the first year of any annual paid plan for Workspace, Queensberry‘s image hosting and sales platform. Use this promotional code when subscribing: TIFFINBOX

Please consider working with both ShootProof and Queensberry as they exemplify the entrepreneurial spirit that each one of you has in you to create beautiful, meaningful work.

Good luck and happy reading!

A Perspective On Photo Book And Album Manufacturing

January 12, 2012 by Dhiraj Kacker

This guest post is by Dr. Dhiraj Kacker, CEO and co-founder of Canvera, an online digital photography company based in Bangalore, India. Dhiraj has numerous patents and publications to his name in the field of Digital Imaging. Dhiraj can be found online on twitter, his company blog or his personal blog.

With the advent of digital photography and the simultaneous rise of the Internet the entire photography landscape has been revamped in the last decade. This audience knows these changes quite well so I won’t dwell on all of them but rather I’ll focus my post on the technology and craft that goes behind a product that was spawned by this revolution: Photo Books.

I don’t know how many people actually sit back and think about it but it is quite remarkable that today we can actually get a single copy of a book printed at a reasonable price and turned around fairly fast. In the traditional book publishing world the economics just would not make sense unless there were at least say a 1000 copies of a book to be printed. There are many services that provide the ability to print one-off books:

a) Consumer grade photo books by companies such as Shutterfly, Snapfish, Kodakgallery

b) Self publishing service providers such as Blurb, Amazon etc. that focus on generic publishing not just photo content

c) High-end photobook and album manufacturers such as Graphistudio, Asuka, Queensberry etc. that provide a much richer variety in covers, papers, finishing and other customizations. These are the favorites with professional photographers because they best showcase the work of a pro.

Canvera falls in the last category and we have slowly but surely added more and more options as we engaged with more photographers and understood their needs. There is however a constant tension between how many options we can offer versus producing a high quality output and keeping fast turnaround times. What makes this difficult is that there are many different pieces that have to come together in an exact sequence without requiring any one person or set of people to keep track.

Take for example a flush mount book with a custom cover and a personalized box with pictures. The inside of the book is printed on a silver halide machine and bound. The cover and the box wrap are printed on a wide-format printer (in Canvera’s case). The cover goes for separate finishing and then through barcodes is matched at a separate station with the book block and then bound together. The same happens with the custom box. Now there are complications in the process: the silver halide printer and wide-format printer have to be producing the same colors at all times, we can’t afford to have anyone trying to match colors on a book by book basis; individual sheets may have to get re-printed for a variety of reasons; QA may reject the finishing of one of the pieces and that may have to get re-done and matched back with the remaining finished pieces.

None of this is possible to do at scale without significant automation and technology. But adding options brings with it significant complexity as well. Even seemingly simple things such as adding more cover varieties, paper types or hot foil stamping fonts requires us to think through the full workflow: what equipment do we need, where will the raw materials be available on the production floor, how will quality analysis happen etc. We keep trying to push the envelope in adding choices (and at times have gotten burned!) but it is a balancing act.

At Canvera our driving philosophy behind everything we do is as follows:

a) 80% of what makes a good photo book or album is the photography! No matter how many digital photography touch-up tools have been created and how many effects one can do, the pressure on a pro to produce great pictures is as high as ever. In fact I’d argue that with an explosion in images fueled by the web and multitude of capture devices, consumers have subconsciously developed a greater appreciation of what makes a good picture.

b) Fast turnaround time matters a lot. Take the case of wedding photography: For the bride and groom 90% perfect pictures and album received within 10-15 days of the occasion are much more valuable than the absolute perfect set received 6 months after the event. At Canvera therefore, once we get an order we try to put it in the mail within 48 hrs.

c) Quality of printed products should be high and predictable. It is not good enough that the samples are great, but every single product produced every single time without requiring any special treatment should be produced at high quality.

With these driving principles, we focus more on turn-around-time and end-to-end workflow to ensure speed and quality while hopefully letting the photography do most of the talking. This does not mean that we don’t keep adding options, but we do try and think through the full implications first.

Here are things for you to consider when choosing a photo book or album company (beyond of course liking the samples):

1) What kind of front end tools (web or client based) do they provide to capture the order correctly? If there is complexity of choices in the order that the front end tools are not capturing and you are sending instructions over email/phone, chances are that mistakes will happen..

2) As the company grows, do they have processes in place to maintain their turn-around-times and quality at high volumes or are they better off as a low volume hand-made producer?

3) Do the variety of options on the books and albums lend themselves to more mistakes? Is the company ready to handle that much complexity?

4) What kind of color consistency is there in their production work flow?

As I said earlier, at Canvera we are taking the approach that first and foremost the photographs should do the talking. That’s key. And we as the photo book and album manufacturers should get out of the way by quickly turning around a high quality product with the right colors morning, evening or night, even if it means in the short term compromising a little on the variety we offer.

What do you think? How do you pick your photo book and album company? Do you agree/disagree with this thinking?