I've loved Utah-based Jonathan Canlas‘ wedding photography for quite some time. I must have come across his website quite randomly about four or five years ago. His images continue to inspire me. The moments are real and the processing is just right.

Little did I know back then that he was a wholly film-based photographer. Yes, film. Some of us may remember that medium. With digital being all the rage – I mean who isn't addicted to chimping, right? – why would a photographer eschew Photoshop actions (that can make your digital images look like they were shot on film) and other “bells and whistles.” The answer is simple. Because he can, he wants to be different and his clients love him for it.

So, take a moment to look at his work again.

Now that you are back, do you see anything different? Do the images just appear more tactile, or have more depth to them? Or, is it my imagination? I believe it is the former.

Whichever way your answer sways, if you are curious about how Jonathan Canlas photographs weddings or portrait sessions using film, you have three options to learn from him.

You see, in addition to being a successful photographer, Canlas is a wonderful teacher. For several years, Canlas has offered the Film Is Not Dead workshops for those photographers looking for a solid foundation in film photography.

Canlas has also very patiently answered questions via Formspring. You should follow him on Twitter where most of these responses show up.

The last option, is a resourceful guidebook called FIND (Film Is Not Dead). There is a dedicated website where you can order this truly comprehensive offering. Jonathan generously offered me a review copy and I just got done reading it. As a photographer who cut his teeth on Tri-X and TMAX 3200, a lot of what he had to say in the book was not new to me. As a mostly 35-mm film photographer, though, I learned a great deal about medium-format cameras. So much so that I am now actively looking for a used Yashica-Mat 124-G.

Here is a breakdown of the table of contents:

This is a 95-page e-book that is sprinkled with great wisdom and some jaw-dropping images. If you are clueless about working with film, because you simply never had the opportunity or were too intimidated, then you need to run out and get this hefty PDF. Unlike other PDFs that may discuss a particular type of digital technology that is sure to change over time, I feel what Jonathan Canlas has produced for us will be as timeless as his own work. Indeed, its his generous spirit that allows us to share his vast knowledge about a medium long thought of as “old,” or worse, “dead.”

Thanks to companies like Kodak and Ilford, who continue manufacturing film, Canlas feels strongly that he will be working in that medium for a very long time and now so can you.

Buy the Film Is Not Dead guidebook by using the code “SESHU” and receive $45 off the final price. All I ask in return is that you subscribe to the Tiffinbox newsletter. Goodies like this will only be available in the future for my newsletter subscribers so you may want to get a headstart.

Full disclosure – I received a review copy of this PDF, but I don't make a dime for mentioning it here on Tiffinbox. If you liked this review and bought the PDF, please come back here and post your comments. I'll try and have Jonathan swing by and answer any questions you may have.

When my friends Rebecca Mead and Kathy Hokunson mentioned Gary Vaynerchuk‘s stop at R.J. Julia's Bookstore in Madison, CT, I jumped at the chance to go see and hear him yesterday evening.

First impression – this dude is the real deal. Down to earth, even if he has made millions of dollars selling wine in his family business or starting Vayner Media, a marketing consulting company. Just check out the way he presents wine on his extremely popular Wine Library TV. When we met he was approachable and extremely generous with his time.

He was obviously at the bookstore to chat about his second book, The Thank You Economy. I had just received it through Amazon yesterday and had not had a chance to read it yet. His first book, Crush It!: Why NOW Is the Time to Cash In on Your Passion, made a phenomenal impact on me. I recommend you get that book as well if you are just starting to explore social media.

The synopsis of his new book is this – our economy is changing to a point where we better become a whole lot more customer-centric, if we want to survive in the business we are in. Once I have read the book, I promise to post an online review. If you want to know more about it, check out The Thank You Economy.

As I said, Gary was extremely gracious when I asked him if he would spare two minutes to speak to you, my fellow photographers, about how the message in his book pertains to what you are now doing in your business. His is a terrific message and I welcome you to watch the video below. Then post your thoughts about what he said. Are you going to be making changes to the way you run your photography business? Share your thoughts with other photographers here.

Thank you, Gary, for your time and for launching this new feature on Tiffinbox called 2 Minutes WIth Tiffinbox. I welcome other authors, artists, photographers to contact me about being featured here as well.

UPDATE: For a quick review read my friend Scott Wyden's review of The Thank You Economy.

This is Ingrid Spangler's second guest blog post for Tiffinbox. She is responsible for all the social media, as well as copywriting, promotions and marketing for AdoramaPix. She has been an avid photographer from the time she was a child, and studied film at Temple University in Philadelphia, where she learned about film theory and visual aesthetics. Her first post was about finding the perfect photography printing lab.

Hardcover photo books are fast becoming the best choice to present and distribute your portfolio. It’s a more permanent way to display your images, and while that is a definite plus, it also requires much more care when organizing and designing than just slipping your prints into the plastic sleeves. There’s also something about having your images in a book that leads the viewer to believe that the images should hold together and tell a story more than a traditional portfolio.

Here’s a general portfolio tip from my buddy Joe Holmes of joe's nyc focus on one style or genre of photography that you do best, such as landscapes or street photography or portraits. You can always do separate portfolios/books for each genre.

Another tip: Don’t let the design of your book overwhelm your images. Keep it simple. This rule goes for any photo book you make, but is especially true for portfolios.

From speaking to photographers and photo editors, it seems that the general rule when organizing your images into your portfolio is “put your best images in the front and the back; make a strong first impression, then give them something to remember you by.” While you can still use this tenet to start to set up your book, what do you do with all the prints in the middle?

Here are some suggestions for how you can sequence the images to have them hold together as something cohesive.

Organize Your Images By Color

Allow the dominant color in one image to dictate what the next image will be. This is very subtle and works very well for images that are largely disparate. Take for instance these images with lots of red tones, the next images could be something with orange or deeper red as the dominant color and so on.

Keep moving through the color spectrum until you are close to the end of the book, where you’ll place your second set of strong images to leave a lasting impression on the viewer.

Organize Your Images Graphically

Look for the strong, dominant lines in your images and pair them accordingly. This image with strong diagonal and horizontal lines is matched by an image with similar lines. For diagonal lines that go off the page, try as much as possible to have them point to the center of the book. This pairing also works because of the similar colors.

Or these circular shapes:

*Images courtesy of Brandon Remler: Fall Trees, Boys on Beach, Bridge, Guggenheim and Tunnel. Red Table courtesy of Ingrid Spangler.

Group like with like: black and whites together, images that depict the same subject, etc.

Above all, choose a high quality lab to make your photo book portfolio! AdoramaPix photo books are printed on real photo paper, so they are the closest thing to a traditional portfolio. Unique lay-flat bindings ensure that none of your images are lost to a gutter in the center, plus you don’t have to worry about matching up halves of an image that you want to span both pages. PixPublisher, the online book creation and editing program, is easy to use and powerful, you can design your portfolio exactly the way you want, sizing and positioning your images precisely on the pages, down to the pixel!

Remember, it’s your work, don’t gamble with the presentation. You may only get one chance to impress someone, make it count!

If you are anything like me, it's been ages since you read a real page turner. Busy photographers we all are but that doesn't mean we get to stop learning and perfecting our craft.

Photographer and author Ed Verosky is running a special Halloween SALE on all of his books.

If you have been on the fence about getting his books (see the big fat images below as well as in the sidebar of this blog), this is your chance to save 25%. But the sale ends October 31. So hurry!

If you have enjoyed the posts here on Tiffinbox and want to find a way to say thank you, simply click the images below to order your e-books. Yes, those are affiliate links. But they are of e-books I have read and found very valuable.

THE DISCOUNT CODE IS: “PHOTOBOOKS”

Buy 100% Reliable Flash Photography:

Buy 25 Amazing Boudoir Photography Techniques:

If you do buy one or both of the e-books, do chime in below with your comments about them. I do want to hear your feedback. Did you learn anything from them? Were they priced just right for you? Would you feel good about letting your friends know about the e-books being available here? Your comments are valuable. You have a voice.

Thank you again for your support!
Seshu

Selina Maitreya is a a photo consultant. She has been one for the last 30 years. Want to know how to approach your business? She's got answers. Ever had trouble editing your images down and showing your clients the very best? Yes, she can help. Are you looking for a mentor who can guide you through some murky business waters? She's the one.

Selina has authored two very popular books: Portfolios That Sell: Professional Techniques for Presenting and Marketing Your Photographs and How to Succeed in Commercial Photography: Insights from a Leading Consultant

She charges $300 an hour and for good reason, too. She is good. No, very good at what she does. But for a photographer who is just starting to set up her or his business, her consulting fees can add up fast. So, Selina brainstormed and came up with The View From Here, a nine-hour, 12-chapter series of MP3 recordings that covers all that you may be looking for and more.

As I listened to her, I found myself furiously taking notes as she gently outlined for me (and yes, it does sound like she is speaking with and not to me) the steps any photographer must take to be successful in this industry. Let me correct that … steps any photographer must take to THRIVE in this industry. Now, as a documentary wedding photographer, I have certain take-aways that may differ from someone who is a photojournalist or a commercial photographer. I say, make it your own. However, the business foundation for all genres of photography is nearly identical. Start by setting specific goals, have an incredible product to offer and create honest and meaningful relationships with your clients.

“The View From Here – it's priceless! I am getting the real time coaching from Selina in whatever topic I select to consult or learn how to continue growing my photography business.” Raymundo, Ohio

In full disclosure, Selina generously gifted the entire set of MP3 audio files for me to check out and review here on Tiffinbox. But as I have said before, if a product I am writing about doesn't meet my high standards for quality or it will not elevate my business (and subsequently yours), I won't review or even mention it.

Selina has clearly put her heart and soul into this project and I know you will get tremendous value out of it. I know it is the beginning of a new year. Do yourself and your business a favor and consider buying The View From Here today! Use the code: FOSSES to get it for only $99 (original price is $199). See, I am also committed to finding you the very best offers out there that will help your bottom line!

Still not sure? Then download this free chapter from The View From Here

If you have any questions or comments, please feel free to post them below. I would love to hear from other photographers who have bought the program from Selina, listened to it and can share what they have learned from her.