Couple of days back, I published a guest post by Aaron Hockley about how photographers can or should choose their social media channels carefully.

Days after that post went live, I heard Jonathan Canlas (in a conversation with Todd Reichman of A Man To Fish fame and podcast) say rather bluntly that while it's all well and good to be on Facebook, Facebook “LIKES” don't pay bills. It made me think more about how I've been using social media, be it Twitter (nearly 8,300 followers) or Facebook.

The discussion in that podcast inspired me to also look at “why” I was using social media. Was it a source of real information? Or, was it entertainment? With a Twitter or Facebook presence, was I truly “marketing” to my target audience? I wanted to know how my posts measured. Ultimately, the question is: Am I able to convert visitors to actual paying photography clients.

Now, as a photographer, I am committed to doing one thing well – making images. Marketing, while exciting, comes in at a distant second, at the utter chagrin of both my accountant and my wife.

I know, as probably you have figured out for your own business, that being “out there online” is a vital part of your day. If you don't exist online these days, it's very difficult to sustain yourself as a business. Your clients are online, and so should you. But how to parse your day into useful chunks of time – time spent that can be measured and will bring in the results you want for your bottom line?

I didn't have an answer for that question until I ran into Chris Brogan‘s new offering called Mastering The Digital Channel [affiliate]. While I haven't taken this self-paced course yet, what I really like about Mastering The Digital Channel is that one has direct access to Chris Brogan!

As a photographer you may or may not have heard of Chris Brogan. He is the CEO of Human Business Works, a company that is dedicated to helping professionals understand and run relationship-based businesses. I've enjoyed his presence on Twitter and follow him there, but despite a large number of followers, he has always responded to my questions directly and promptly.

Chris, with Julien Smith, have written two books – Trust Agents: Using the Web to Build Influence, Improve Reputation and Earn Trust and The Impact Equation. Independently, Chris has also written Google+ for Business: How Google's Social Network Changes Everything and Social Media 101: Tactics and Tips to Develop Your Business Online. If you own a Kindle or an iPad with the Kindle application, consider buying It's Not About the Tights: An Owners Manual on Bravery.

Am I fan of Chris Brogan? You, betcha! I've always enjoyed his no-nonsense, fluff-free delivery of his blog posts, or when his podcasts. He comes across a genuine guy who loves to teach.

Right about now you are probably wondering why you should consider Mastering The Digital Channel by Chris Brogan. I hear you loud and clear.

It's only natural, easy and convenient to reach among those you already know in the photography industry. But I truly believe that if you want to shake things up, you should also be looking outside your bubble.

Now, let me be clear: Mastering The Digital Channel, isn't for everyone. However, if you've been spending your time online and seeing absolutely no return, right about now you probably think social media is a joke or you don't even try to dip your toes into it for long stretches of time. I hear it from a ton of people I meet at photography gatherings. But before you dismiss it completely, shouldn't you have the right frame of mind, the right tools and the right guidance to make a truly informed decision? That's where Mastering The Digital Channel comes in.

This course is just about to launch and yes, there is a launch special. In fact, if you use the code “special”, you save $200 off.

Being online isn't “the IN thing,” it's the “right thing” to do for your business.

Learn to master your digital channel from an attentive and qualified teacher. I know you won't go wrong if you follow the steps Chris Brogan outlines in his course.

Sign up for this course now and save $200.

Full Disclosure: Like all other programs or products I mention or promote here, I do make a small commission from each signup to support the running of this website.

This is Aaron Hockley's third guest blog post. Aaron is a professional photographer and writer who tweets too much and blogs a few times each week. His professional work finds him working with businesses for events, publicity, and editorial work; he also creates abstract and travel photos for leisure. In addition to photography for clients Aaron often works with other photographers to help them understand and refine their online and social media presence. Read Aaron's first blog post here. And, his second post here.

How's your social media life today?

Have you Tweeted? Pinned? Instagrammed?

What about LinkedIn? Facebook? Flickr?

Feeling overwhelmed? You're not alone. There are a lot of social networks and social media outlets that compete for our time as photographers. One could probably easily fill an eight-hour workday with nothing but online social media activities. That wouldn't leave time for actually making or editing any photos!

How do you decide where to spend your effort with social networking? I think you can make those decisions based on three factors, and one of them is a bit of a cheat.

1) Where Are Your Clients (or Fans)?

When we look at social media marketing or social networking from the aspect of trying to grow one's photography business, the online world is no different than the offline world. If you're engaged in offline advertising, mailers, networking, or other marketing efforts, you're (hopefully) targeting your audience. If you're trying to sell your senior portrait services, you're targeting high school juniors and seniors rather than sending a mass-mailer to everyone in your city. The same principles should apply online.

Identify your ideal clients. We already mentioned high school seniors if that's what you do. If you photograph weddings, you're looking for brides and can make some generalizations about their age and, depending on your positioning, income levels. How many wedding planning boards are there on Pinterest? Thousands? Millions? If I shot weddings I'd be all over that. Do you make fine art landscape images? Odds are that you know something about your typical buyer. If you're a commercial shooter, you probably want to connect with marketing folks, agencies, art directors, and the like.

Figure out where those clients live online. For high school seniors, right now the buzz is that Twitter and Instagram are the most popular networks. Corporate types are found on LinkedIn and increasingly on Twitter. If you want to find brides, Facebook is a good place to be and to connect with others in that segment. I'm seeing a fair amount of discussion on Google+ that involves folks willing to buy fine art prints and books.

2) Where Are Industry Connections?

Building relationships with clients (both existing and potential) is one aspect of social networking, but the other big area that can benefit photographers is connecting with industry professionals. Developing connections with other photographers, manufacturers of photo equipment, and vendor partners can have various benefits to your photography. In some cases, “it's who you know” can lead to referrals. Perhaps getting to know other industry folks can lead to publicity or an “in” with a gear manufacturer. Maybe you just want to bounce ideas or problems off of someone who has been in a similar situation.

Right now, I'm making the most connections with other photographers and industry folks on Google+.

3) Do You Just Want to Have Fun?

If your purpose in social networking is purely to have fun, then heck, do whatever you want … but don't complain that you're not getting business results if you're not making social media choices based on business criteria.

So … Where Do You Go?

There's not a single right answer. I've given you some ideas above, but ultimately you need to look at your business and figure out what makes sense for you. You don't have to be everywhere, on every social media channel. You can't be everywhere. It's okay to ignore a social network that isn't relevant for your business or area of interest. Trying to reach retail photographer customers? They're not likely to book you via LinkedIn. You probably won't pick up a corporate job via your Instagram images. Look at what you do, where you want to be, and where your clients and partners are hanging out. Be there, and don't feel bad about about ignoring other places.

Some of you lucky ones living in warmer climates are already out creating portraits or photographing weddings. But New England, where I live, is still experiencing winter with more snow coming this weekend.

Rain (snow) or shine, your business has to keep going. If you are showing off images from last year or two years ago, it may be time for an overhaul. You are probably already tinkering with your website. Your marketing collateral – that which you either give to clients to take home or display prominently in your studio, is vitally important to keep fresh.

Amata Pictures is a new business venture I'm launching and I've already talked to local vendors with large wall spaces about displaying my images in their offices.

I could easily go with traditional prints. However, large prints, most of the time, require larger frames. And they aren't inexpensive investments. I really do love canvas prints and there are a number of great companies all providing quality canvas prints. One among them is Canvas Pop.

When I saw this PhotoDough offer (3 days left as I publish this post) to buy one gallery wrapped 20″x30″ canvas print from CanvasPop, I had to share it with you. You can get it now for $59. That's 60% off the normal $149 price.

If you buy a canvas print using this affiliate link, I get a small commission that helps keep Tiffinbox (mostly a labor of love) running. When you click that link, you will see the offer in the right-hand sidebar of the page. Do know that there is a $14 shipping charge.

If you are in the midst of a marketing massage anyway, why not consider buying a large canvas print for your wall. Save yourself some money in the process, too. Even if you don't own a storefront studio but work out of your home, you still need to display your work, right? How does that mantra go?

“You sell what you show.”

P.S. Once in a while, I will publish these types of posts. I assume, as a fellow photographer you are busy and appreciate these types of “head's up” articles that lead you to services and products that can genuinely help your business. If you have strong feelings about this one way or another, don't be shy about posting your thoughts below or contact me.

Today's guest post is by Mike Hartley, a website developer and founder of bigflannel, an online photography template. Mike has been building websites for photographers for 12 years. His commendations include PDN competitions, an American Photo cover, an ID Magazine Annual Design Review, Communications Arts sites of the day and the Webbies.

SEO and Web Design For Photographers

Photographers get a return from their website when 1) people who want to buy photos or photography find the website and 2) when they do find the site, it makes them want to choose and use the photographs or photographer they have found.

These two things are equally important.

Google says “Googlebot's got no eyes” and there doesn't seem to be much chance of that changing soon. What they mean is it's difficult to index anything other than words. They don't pay attention to fonts, colors, shapes, movement, images, video, just the words around them. They don't pay attention to the things that add value in a visually literate society (have impact) or to the very item we're hoping someone will find and pay for.

So photography websites are stuck between being found, which requires words, and having an impact, which requires the use of images, to be successful.

Web addresses, page titles and the text on a web page are within our control and in part determine the words a site is indexed on. Unfortunately, the deeper we get into a site, the less important these become (pages deep in a website are indexed less highly than a home page).

Links into a website, and the text of the link, are perhaps as, if not more, important than the original site itself (remember George W Bush's resume was once the top hit on a search for “miserable failure”). The more links in a page has, the more important it is on a search for the words used to link to it. So whether or not people can find a website depends on a few things, not just what's on the site, but how people link to it.

Again we're managing the balance between words to be indexed and images for impact; impact both encouraging the visitor to choose to use us and encouraging links in. Alongside this, people are competing with us for attention and the words people are using to find what they need are changing and evolving all the time (people use more words in a search these days then they ever used to, for example).

For this reason, I think the best website set up for photographers is a combination of an online portfolio and a blog. The portfolio indexes on basic words (name, location etc.) and is used to create impact; to display images beautifully. The blog indexes on many words and is used to position a site in search and to build relationships.

Get a 10% discount on your first year of bigflannel Portfolio with code TIFFIN10.

Full disclosure: Yep, some links are affiliate links.

Good morning and a very Happy New Year to you all! Thank you for making 2012 such a special year for Tiffinbox. It's with your participation that we can make this site even better in 2013. I am truly excited to tell you that Angela Pointon, whose posts you have read here in the past, has agreed to come on board as a monthly contributor. Kicking that off is this very useful post for photographers who want to rock out their market in the new year. Read it, join us, comment!

A lot of photographers get confused by marketing. They consider it in the very beginning of their business, and those considerations typically include things they know they need, such as a website, business cards and a printed price list.

However, marketing is so fundamentally rooted when done well, that if you don't think about it properly, you'll end up spending a lot of money and wondering if it really made a difference in your business. Working on your own marketing is like being a doctor. If you don't truly understand the human body and how it functions, you cannot make it work better.

STEP 1:

Understand your target market deeply and fully. Often times, I find that business owners day dream about working with a certain target market, but find themselves consumed by working with another one. Thus, it creates an unfulfilling business and a bit of a feeling of quicksand that is difficult to get out of.

When you understand who you want to target, you take the first step toward landing more business from them.

STEP 2:

Understand what makes your business different. And remember, it has to be different in the eyes of your defined target audience… the people you want to be working with. I recently wrote an entire post about figuring out how to be a different, special and unique business in the eyes of your audience.

Read more about being different here.

STEP 3:

You have to define what financial bliss means for you. This is as unique as any other aspect of your business. Figure out how much you want to make and how many bookings you have to land in order to get there. Why is this important to marketing?

Your marketing should align with the goals of your business. If you do not define your monetary goal, how can you manage to market enough to obtain it? Oh, and one more thing about defining you financial bliss… it cannot limit you. Financial bliss is not a ceiling; it is just a target that you are shooting for. Exceeding it is highly possible and therefore, should be welcomed (assuming you're willing to work harder).

STEP 4:

Create the business goals you need to achieve in order to satisfy your financial bliss. These goals could include bookings, events you want to do or anything related to your business' success in 2013. I recommend including anywhere from 2-5 big goals.

STEP 5:

Take your big goals and break them down a bit. They should become a list of key steps you need to take in order to achieve the goals. As the days progress, your list of key steps will become daily tasks. I personally use Evernote, a free web-based tool and app, to keep track of the daily tasks I need to tackle in order to achieve my big goals. Goals become easier to obtain when they're broken down to small, easy-to-do daily tasks.

The One Page Marketing Plan

I recently launched a free webinar called the One Page Marketing Plan, where I went through the five steps listed above in greater detail and provided a free template for recording all of your thoughts and ideas. Download it here for free.

Photography Marketing Academy

On January 3rd, I am launching a new educational program called Photography Marketing Academy. This simple three-session program offers you access to up to five of your photographer peers and me. Together, we'll walk through your business goals for 2013, your current marketing, and you'll leave the sessions with clear, actionable steps you need to take in order to achieve a year of your dreams in 2013.

Learn more about Photography Marketing Academy and register. Space is limited and registration will likely close the morning of January 3rd.