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Garrett Scott Documentary Grant

January 11, 2007 by Seshu | Editor & Publisher

What: This grant funds first time documentary makers for travel and accommodations at the Full Frame Documentary Film Festival, April 12-15, 2007. For four days, grant recipients will be given access to films, participate in master classes and be mentored by experienced filmmakers. TWO filmmakers will be chosen for the grant in its first year.

Deadline: Applications must be postmarked by February 5. Applicants will be notified by email in mid-March.

About the Grant: Garrett Scott made a distinctive mark in documentary films during his short career. Without any formal training in film, he directed Cul De Sac: A Suburban War Story, examining the case of a methamphetamine addict who stole a tank from an armory and went on a rampage through the San Diego suburbs. The film prompted Filmmaker Magazine to cite Scott as one of 25 New Faces of Independent Film. He went on to make Occupation: Dreamland, co-directed with Ian Olds, about U.S. soldiers in Falluja, Iraq. It won prizes at Full Frame and the Independent Spirit Awards. Both films were broadcast by the Sundance Channel. In 2005, Scott died of a heart attack at age 37.

Scott’s work examined how the forces of state power and economics impact individuals. Stylistically, his films broke convention, giving audiences new perspectives on familiar milieus like suburbia or war torn Iraq. He was a beloved member of film communities from San Francisco to New York City and several points in between.

His friends, family and colleagues established this development grant to help other emerging filmmakers reach their potential. The grant’s selection committee looks especially for filmmakers who somehow fulfill Scott’s example, by bringing a unique vision to the content and style of contemporary documentary making.

Criteria: Applicants must be a U.S. citizen or green card holder, living in the continental United States; any age 18 or older. By “first time filmmaker,” we mean someone who is in the early stage of their documentary career and not yet received significant recognition (such as major festival play or broadcast). All applicants should anticipate finishing their first project by March 2008. You can still qualify as a “first time filmmaker,” even if you’ve made shorts or student projects or worked professionally as a crew member on other people’s films. Or if you’ve recently completed a documentary that hasn’t been released yet. The grant is open to students and non-students alike.

How: Applicants should send a 2 page letter addressing these areas:

1) Project summary: Describe the documentary you’re working on. It doesn’t matter whether the film is a short or a feature. Describe the characters, structure, visual approach and what stage you’re at.

2) Director’s statement: Describe how you came to filmmaking and how you’ve trained as a filmmaker. It doesn’t matter whether you went to film school or are self-taught. Describe what you want audiences to take from your film.

In addition, if applicants have a 5-10 minute sample of their work or work-in-progress, please send that as well on DVD or VHS (NTSC format). A sample work isn’t required to apply. But if the selection committee has to choose between several strong applicants, the sample work will become a factor in making the decision.

Submit two copies of both the letter and work sample along with your:

Name:
Address:
Phone:
E-mail:

Send to:

Full Frame Documentary Film Festival
324 Blackwell Street. Suite 500
Washington Building, Bay 5
Durham, NC 27701
attn: Garrett Scott Documentary Grant

For more information, please visit these two websites – Working Films and Full Frame Festival

[Via Thom Powers at Sugar Pictures]

Filed Under: Documentary

Rough Cut: India – Calcutta Calling

January 20, 2006 by Seshu | Editor & Publisher

Rough Cut: India is Frontline/World‘s 20-minute online video about three Indian-American girls who were adopted from a Calcutta orphanage and return to India for a visit. The film is by Sasha Khoka.

“It is a cinema verite story, rather than the usual reporter-narrated journey that is our trademark. And as an international television program and Web site, we don't normally cover stories that begin in the United States and focus on Americans. But that's why we named our program of online videos Rough Cut. It's an opportunity for us to try something different in our search for the most intriguing ”stories from a small planet.“

Give it a look-see.

Technorati Tags: documentary, film, India, Calcutta, culture

Filed Under: Culture, Documentary

Joseph Matthew’s Crossing Arizona Accepted At Sundance

December 15, 2005 by Seshu | Editor & Publisher

Crossing Arizona

Congratulations to documentary filmmaker Joseph Matthew whose Crossing Arizona, has been accepted at Sundance Film Festival '06.

Crossing Arizona has been described as “A balanced, far-reaching look at a range of human stories unfolding in the midst of Arizona's illegal immigration crisis.”

Filed Under: Documentary, Photography

Born Into Brothels

February 27, 2005 by Seshu | Editor & Publisher

Tonight, Zana Briski and Ross Kaufman have won the Best Documentary Oscar for Born Into Brothels.

To help the children you see in the film visit the Kids With Cameras website.

I have yet to see the film, but I have heard only great things about it. Anyone want to pipe in with a comment about it?

Filed Under: Documentary, Photojournalism

Creative Pathways

September 13, 2004 by Seshu | Editor & Publisher

Via Shruthi Reddy

Chicago-based Lotus Rising Foundation is looking for donors who will support their new documentary –  Survival on the Domestic Front: Lost Stories In Immigration.

Filed Under: Documentary

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Seshu creates relaxed portraits of families and high school seniors in Avon, Connecticut. He also leads a successful headshot photography studio in Connecticut, helping professionals from a variety of disciplines project the very best versions of themselves. He created Tiffinbox as a way of inspiring photographers, to create better images and successful businesses. [Read More]

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