Muslims In America

The first Muslims may have arrived in the North American continent in the 14th century. And according to this article about “Islam in America,” even Christopher Columbus may have used a guide book written by Portuguese Muslims!

Yet, Muslims in America today often feel marginalized and stigmatized by the media. They become easy targets of ridicule because of their faith or in the way they dress. The fact is, Muslims who have either immigrated to the United States or have been here for generations are productive citizens in the communities they call home.

Genesis Of A Project

So, when New York based editorial photographer Syed Yaqeen was looking to work on a portrait project, it would seem the work came looking for him!

Syed who is originally from Bangladesh, identifies himself as an American now. To counter the often negative portrayal of Muslims in the media, Syed commenced to work on project to portray his Muslim sisters and brothers in a positive manner. Through his work, he hopes to inform us that Muslims are so much more than the stereotypes seen on television every night.

He was commissioned by ISPU – The Institute of Social Policy and Understanding – to create the portraits for Muslims for American Progress.

Portraits of A Community

From Syed's site:

“The Muslims for American Progress (MAP) Project educates the public by providing a much-needed, evidence-based portrait of a deeply misunderstood community. The MAP project quantifies the contributions of American Muslims in New York City in eight areas: Civics and Democracy, Economic Development, Medicine, STEM, Philanthropy and Nonprofits, Arts and Entertainment, Sports & Education. MAP-NYC is a project of the Institute for Social Policy and Understanding. ISPU conducts objective, solution-seeking research that empowers American Muslims to develop their community and fully contribute to democracy and pluralism in the United States. ISPU is a leading think tank focused on studying and empowering the American Muslim community.”

The Interview with Syed Yaqeen

Syed and I recently chatted about his work and where he hopes to take it after New York City. Give this quick interview a listen please.

Syed's Portrait Portfolio

Give these portraits a close look please. These are our neighbors, our friends, may be even our relatives. I believe the central premise to Syed Yaqeen's work is to show us that Muslims aren't really very different than you and me.

Meet & Greet

Meet some of the subjects of this project this Saturday (April 14, 2019) at the Mulberry Street Library in New York City.

“I'm the king of U-turns,” photographer Andy Anderson told our class at the 2014 Texas Photo Roundup. Over the course of the next few days, we'd come to learn that he meant that quite literally: Andy was in constant pursuit of his next personal project. For him that could have meant a dune buggy in a desert, or oilmen at work.

The bigger picture though, to me at least, wasn't about the art of it. Yes Andy spoke at length about how it was important to craft your own vision and continually be honing a unique point of view, and both of those things are incredibly important, that wasn't the golden nugget. The most valuable take-away from the workshop, and from my experiences since then was that photographers who shoot the most personal work get the most commissioned work of the type they want to do.

Other Tiffinbox blog posts that address the idea of personal work are here and here.

This concept has been reinforced by Andy's rep, Heather Elder, who writes the incredibly insightful, Notes from a Rep's Journal blog. Heather has often written that among the photographers she represents, it's always those who shoot the most personal work who find themselves the busiest commercially.

Years ago – I think it was from Nick Onken's blog, but am not 100% sure – I read the best advice regarding the photography business I've ever heard.

“Everything you do needs to be in service of two ideas – take better photos, and show them to more people.”

As I've built my business, that idea has been at the center of everything I do, and if a particular task isn't in service of one of those ideas, maybe that's something I should consider outsourcing (like bookkeeping).

The most valuable take-away from the workshop, and from my experiences since then was that photographers who shoot the most personal work get the most commissioned work of the type they want to do.

It all ties together though. In 2015 I committed to sending monthly e-mails to 2,000+ creatives and current clients via Yodelist as part of my overall broader marketing plan. Yodelist, while far less expensive then their chief competitor Agency Access, isn't a small financial commitment. To see a return on that investment, I realized quickly I couldn't send e-mails saying, “Hey! Come look at the same work I showed you last month!”

The catch-22 though is that much of the work I shoot in a given month won't be available to be shown publicly for a few months following, because it's either part of a broader yet-unfinished campaign, or because a magazine hasn't yet been published. As a result, having new personal work, like my recent “Fuego Faces” series is a key component to my marketing plan as I can shoot something today and have it live on my blog or website tomorrow.

While the “Fuego Faces” project was all shot in a day, my series of photos of New England Craftsmen has been ongoing for 3+ years with no end in sight. I don't exaggerate to say that literally every new client I've worked with during the past few years has referenced the craftsmen series – it's led to thousands (tens of perhaps?) of dollars of new work. I've received creative briefs with individual images pulled from the craftsmen gallery, and lost track of the number of times clients have said, “Just shoot it like your craftsmen series.”

Personal Work by Doug Levy

I try to treat personal work no different than commissioned work, and often that means paying an assistant to come to personal work shoots. It totally depends how you work though. For me, paying to have an assistant is just part of my overall marketing budget. I wouldn't do a client job without a second set of hands, so why would I shoot personal work any differently? To me, spending a few hundred dollars on an assistant = better photos = more paying client work. Personal work is also an opportunity to try new techniques and work in new assistants (or stylists, or digital techs) on jobs that inherently have a lower stress point than those involving large client expenditures.

I frequently get asked by local photographers, “How do I get more commercial clients?” At its root, the first step could almost always be, “Shoot some killer personal work and show it to as many people as possible.”

RJ Kern is ranked as one of the top 50 wedding photographers in the US. But that's just one genre of photography that he rocks. He is a passionate artist who pursues personal projects at every opportunity.

“I've gone from a coffee shop show to two solo gallery shows and a group exhibition in less than a year … all after deciding to invest in my art long-term and not pour my money into an MFA (I applied, got rejected last year) and put it into my personal work.”

In this interview for Tiffinbox, we sat down to talk about what inspires him to do personal work. Lean in and listen closely to how RJ phrases his off-season work. I think you will find it interesting. It's not so much that it is something he can do or will do sometime in the future, but he HAS to do it right now!

Check out his personal work here. Learn more about his animal portraits here. His series of couples in love at Burning Man is something else. Lastly, learn from RJ about how to develop a photographic style.

Do you pursue personal projects? Would you think of photographing sheep and goats as a personal project? If you think the concept and the quality of the work is amazing as I do, click the comments box below and leave RJ a note. I am sure he would appreciate it.

Peter Doyle is a wedding photographer based in Atlanta who is hungry to pursue personal photography projects.

I sat down to speak with Peter about his recent personal photography project, Childhood Cancer Portraits: Wisdom from the Journey”.

There are 101 portraits of children in Peter's book. Here is a small sample of the wonderful portraits and messages from each child. Take a closer look and read their thoughts.

Peter's other books include:

Haiti’s Hope which highlights the humanity of the Haitian people who were left behind after the 2010 earthquake; To Have & To Hold: a Life for Generations features the stories and interviews of 12 women who were affected by breast cancer while part of a fashion shoot paired with fast cars, helicopters and a private jet in Atlanta, Georgia; Breast Cancer Portraits: Wisdom From The Journey features 49 portraits of men and women breast cancer survivors paired with their handwritten words of wisdom and hope.

Peter's next project is called Uncommon Courage. It is “about WWII veterans, military spouses, Vietnam veterans and NAVY SEALs sharing their wisdom about life, courage and sacrifice to a generation that needs to hear it. From April 1 – August 1, 2015 he will be traveling to Florida, Louisiana, and Washington DC to photograph these patriots. If you know of any vets or military spouses that you think would be interested in sharing their wisdom please email him at peterdoyle@storyboardlife.com.”

Peter readily credited Miami, Florida based photographer Brian Smith and his book, Art & Soul for inspiring the design and layout. The book was produced via Create Space, an Amazon subsidiary. Finally, the book and the project would not have been possible with out the help of St. Baldrick's Foundation.

Find out more about the book, Childhood Cancer Portraits and order your copy.

Are you pursuing a personal photography project that you have just completed or will be soon wrap up? Contact me and let's talk about it.

Daphne Chan is a fine art photographer based in Vancouver, Canada. But she is embarking on a three-month residency in New York City to explore and perhaps discover gender identity among the LGBT community there.

When we met briefly in NYC, at Photo Plus Expo, I was both intrigued and baffled by her decision to drop her business cold and move to a different city, just to pursue a personal project. It was perhaps my own curiosity to know how she made the leap that motivated me to write to her and ask her to come on TiffinboxTV.

The project is called Transparency: The Gender Identity Project and I'll be photographing members of the transgender community in New York to help them share their experiences. I believe all individuals have a right to be truly seen and acknowledged regardless of gender identity.

Learn more about Daphne's project and support it, if you can.