The Compelling Frame
If you caught yesterday’s Apple announcement about the new iPhones launching soon, you’ll know the advances in technology are truly stupendous. We are most definitely in the midst of a golden age in the visual arts. Technology is making it possible to create billions of photographs every day. Yet, world and humanitarian photographer, David duChemin believes the majority of the images produced on a daily bases fall short because they lack soul. In other words, the photographs we mass produce are not compelling enough.
The photographs we see today often don’t stop us in our tracks or stir our curiosity or evoke an emotion. They tend to be much of the same trite look at our beautiful and surprising world. When we do encounter a photograph – be it our own or photographed by someone else – that has an impact on us, we remember it more vividly, almost as if we can experience it again and again.
Some are indeed so compelling that they create a response within us, perhaps, even a set of actions that affect humanity the world over. Now, don’t you want to make an impact, however small or big, with your photography?
But what stands in the way? Practicing and producing the same photographs again and again is of no use to anyone. We’ve also been told about the classic rules of composition – the rule of thirds or the golden spiral – but these have held us hostage for far too long.
Going Beyond The Rules
We have limited ourselves with our visual vocabulary to go deeper and create stronger images. David duChemin, who has authored nearly 10 books on photography (see below), insists that it is possible to learn the visual language, or syntax, that is essential in creating compelling photographs.
Understanding and then expressing ourselves by using this new visual lingo, expands our abilities to do so much more. Better yet, you’ll never ever feel like you are in a creative rut again.
David just launched The Compelling Frame, an in-depth course for photographers eager to consistently create compelling frame. I spoke with him at length about how photographers can stop spinning their wheels and get on the path to making photographs that make them truly proud of their accomplishments. Give this a listen (approximately 35 minutes):
What’s In The Course?
Just as soon as I recorded my interview with David, I knew I had to be a part of his course, so I signed up!
Here’s what is in the course: 19 awesome lessons (videos you can watch again and again), 31 creative exercises, an opportunity to study the masters, a ton of bonuses that are actually useful and a vibrant and exclusive community called The VISION-DRIVEN.
I’m willing to bet that a year from now, my photographs are going to be several levels above where they are today because of The Compelling Frame course and The VISION DRIVEN community online.
This course is open only for a very short duration. I suppose that’s one way to really gauge who is serious about elevating their craft, right? Here’s my recommendation and it isn’t biased in any way (the links in this post are not affiliate links at all):
You could continue making photographs and not sense any momentum in your artwork or you could spend a modest amount of money ($295), to enroll in this course (yes, with me) and truly accelerate your growth.
Enrollment for The Compelling Frame ends in about eight days. My suggestion is that you don’t wait. Jump in now.
Money could be tight, or now may not be the right time for you to be a part of this course, in your path as a photographer. I get it. So, really the next best thing would be to read David’s advice through his books (these are affiliate links):
- The Soul of The Camera
- The Visual Toolbox
- Within The Frame
- Photographically Speaking
- A Beautiful Anarchy
- Vision & Voice
- The Print And The Process
- How To Feed A Starving Artist
I’m going to sound like a total fan boy, but I own every book David has written. In an environment where there is so much noise, David’s words of wisdom are a clear and consistent signal that is well-timed. Wherever you are in your photographic journey, I highly recommend David’s resources for photographers.
I’ve followed his work as a photographer and a teacher for a long time and in 2011 chose him to win the first Annual Tiffinbox Award.
And, to answer the question this post poses: yes, the compelling frame is most definitely within your reach. With the right guide, the right community and a lot of intentional practice or play, photography will cease to be a foreign language and it will become more intuitive for you.