Fifty Crows, the institution that organizes the annual documentary photography fund award has a page dedicated to those interested in collecting photography.

Fotovision is a new Bay Area nonprofit created to support photographers interested in documenting their world. The curriculum fosters an environment in which photographers can create and edit a body of work and then learn to fund and distribute it. Special workshop projects will focus on the creation of books as well as in-depth photo projects in the Bay Area.

Coming up to teach at FOTOVISION in October is one of my favorite documentary photographers – Eugene Richards. Wish I could go!

Robb Hill, a friend of mine from my days at Indiana University and an incredible photographer in his own right, recently attended one of “Gene's” workshops at The Maine Photoworkshops. Robb was kind enough to pick up Gene's new book, Fat Baby, on my behalf. I'll post my review of it here real soon.

Back to FOTOVISION – it's directed by the legendary Ken Light whose book Witness in Our Time you should all read. The book gave me a much needed wake-up call about the often romanticized lives and choices of documentary photographers. It's not for the weary.

I was on a very interesting photo shoot for India Today on Friday. It is likely to be another cover image but I am not terribly sure till I actually see it. The journalism business is sure fickle and things can change at the drop of a hat. I can't say much more about who or where I was as things are still under wraps. But it was a thrill nonetheless. I'll reveal all in a few days.

On a whim to do something totally out of the ordinary, my wife and I woke up early (I woke up at 3 a.m. for some un-Godly reason) and opened the doors at our local Border's bookstore. While I am not terribly keen on corporate bookstores (prefer smelly second-hand bookstores), the coffee and the array of magazines is always a great draw.

So, thumbing through PICTURE magazine today I came to know about the Lucie Awards for new and emerging photographers. Definitely worth taking a look. If you apply and win, do let me know. I would be happy to feature your work here on this site.

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Via Steve Outing (on Poynter.org, quick link: A69743)

New-media pundit and author J.D. Lasica and software pioneer Marc Canter have come up with what looks like an interesting and worthwhile endeavor: the Open Source Media Project, which they announced on Monday. The quick explanation: It's an open-source repository of digital media projects — especially video, but all sorts of multimedia content. The idea is that we're coming out of a media world where a few moneyed players produce nearly all the content content, and we've arrived in a world where new technologies allow anyone to produce digital stories. Open Source will provide a place to store, index, and distribute all that “citizen content.” Canter explains what they're doing this way: “Basically we're making sure to make it REAL easy for folks to utilize media in their everyday lives, school, and work.” Storage space (and a massive amount likely will be required) and bandwidth is being donated “forever” by Brewster Kahle of the Internet Archive.

Via Steve Yelvington (on Poynter.org, quick link: A69773)

“Free listings for free items is such an obvious opportunity to build and support online community (and online traffic) that it's puzzling not to find it everywhere. It's not a strange new idea.”

Be eco-friendly. Don't chuck your junk. Give it away to someone who will take it off of your hands and actually use it. How do you do that? Check out Freecycle.

Over the weekend we received a wedding invitation from a couple in New Jersey. Wrapped elegantly around the beautifully and tastefully designed invite was a strip of red paper tethered with gold tassels.

The inscription on the paper read:

“I have made you the polar star of my existence;
Never again can I lose my way in the voyage of life.”

– Rabindranath Tagore

This blog post is dedicated to Sangeetha, my wife, who has allowed me to gaze into her beautiful soul and made my life that much more richer.

Forbes and The Washington Post have stories out that Reuters will now outsource some 20 jobs to Bangalore, India.

“The journalists will be responsible for compiling tables, writing short research alerts based on analyst reports, and polling analysts for earnings forecasts.”

While on the one hand I feel that Indians ought to be getting into a diverse set of professions, this back-office type of work may not be such a great idea for any of the parties involved. For one, where will the buck stop when things go awry? Who will fall off this money-tree? I am just afraid that the Indians who sign up will end up getting the short end of the stick; not only will their salaries be lower than their counterparts but they have to also bear the brunt of whimsical fiscal cycles in a country where there are no unemployment benefits. Based on the bottom line, Reuters and others may feel free to hire and fire people, but the jolt to our society will come at much too great a cost. Yes, I know in this case we are talking of “only” 20 jobs. While 20 jobs may not stall an economy, this relationship between Western capitalist interests and South Asians needs to be reexamined.

Didn't the British come looking for cheaper resources and eventually colonize much of South Asia? While it may be politically incorrect to say so, isn't the current model of doing business just an avatar of colonization? I am curious to know when we (South Asians) will get off our asses and create a uniquely South Asian model for doing business. Right now it appears all too dictated from the West and that spells trouble. The dependence on an outside entity is always dubious.

It might be appropriate to also point out a July 5 article in The New Yorker that addresses the issues surrounding outsourcing from the perspective of a young tech-worker in Chennai, India.

Prashant – I know you are off to India for a bit, but when you read this, please feel free to comment. And, Vinod, too. I would love to know what percent of India's economy is dependent on this outsourcing business model (I suspect it is quite small).

Testing a program called SWFn'SLIDE by Vertical Moon. The slide show you see above is the result of some heavy tweaking. The images themselves need to be rescanned. Do you all see the slide show? Are the transitions smooth? Would you like to see more of these slide shows?

Apple will be at Visa Pour L'Image, the world's premier photojournalism convention, from August 28 to September 12, 2004.

Adobe is doing the right thing, says Rich Glickstein on Aphotoaday.org.

The idea behind Adobe Digital Kids Club is something we should embrace: educating the next generation of the visual journalists. Granted, Adobe's aim is to do so through the use of digital equipment, and ultimately their product, but they're taking a progressive step stirring the pot and getting people excited about photojournalism through a new image recording medium.

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