Saturday, December 29, 2007

Benazir Bhutto

A couple of days has past since the former Prime Minister of Pakistan was killed by ... well, by someone or something, depending on what the Pakistani government's PR folks want to sell you as "the truth." From my limited perspective, I can only wonder how someone of her stature gets killed and there is no state funeral where dignitaries from other countries have a chance to say goodbye. The rush to bury her has a boat load of conspiracy theorists already in a tizzy. So, I won't dwell on this as it will only add fuel to the fire that is burning in South Asia.

The future of Pakistan is truly at stake now that former Prime Minister Nawaz Sharif has said he will boycott any elections there. Ok, so the rationale is that by not participating in an election, you can usher in democracy? Sounds a little wonky to me. By stepping out of the election process, Mr. Sharif has simply given "President" Musharraf the green signal to do what he pleases. It will be a defacto dictatorship, without the military regalia. The political vacuum that will be felt in that country will have repercussions around the world.

Who will emerge as Pakistan's leader and when are the biggest questions as we turn the corner on 2007 and jump into 2008?

Thanks again to A Photo A Day, here is a link to a New York Times feature showing Benazir Bhutto's last minutes.

[This is by sheer coincidence post #1300 here on Tiffinbox ... make of it what you will ...]

Tuesday, December 25, 2007

This Christmas ...

... go hack yourself and give yourself a positive spin!

Saturday, November 10, 2007

Journalism Job Growth Sputtering In The US

No surprise here. But Steve Rubel's post in his terrific blog, Micro Persuasion, had me thinking about my own fate back in 2001. Yes, yes, after 9/11. As a trained photojournalist, I found it bloody hard to find work and even in those outlets that did hire me on as a freelancer things were slow. Nevermind the countless assignments I shot for Indian magazines out of sheer desperation. Now this news.

Well, as I said I am not surprised. Being an effective blogger or a savvy public relations officer has more of a future for those passionate about telling the truth or spinning it. If you want to have anything even remotely do do with stuffy old journalism, good luck.

Good God, did I just say that? I might have just shot myself in the foot.

Thursday, October 11, 2007

Ann Coulter = Blech!

This post is so far removed from photography or anything else that I love. However, I came across a link [via Mediabistro.com] that so riled me up that I had to post it here. It's about Ann Coulter, the conservative motor mouth and Bush-apologist saying to The Big Idea's Donny Deutsch that it would be best for the country (perhaps even the world) if everybody just became Christian. Here is the link. That Coulter comes off as insensitive to a wide range of topics is not debated here. But now, add anti-semitic to the list.

Part me feels incredibly nauseated when I read crap like this. How do you feel about it?

Sunday, April 08, 2007

Let's Fire This IgnoraMUS

I have watched Don Imus In The Morning (MSNBC) several times. His talk-show is rarely interesting and I quickly change the channel to watch CNN instead. But it is his character that I have found fascinating. With that Stetson slung over his head, his eyes peek out behind compressed overflowing hair. He looks and sound like a cantankerous old man. I have to also admit that I don't understand him sometimes. He mumbles like he has marbles floating around in his mouth. But when the man began his comments about the Rutgers women's team that lost to Tennessee in the NCAA Women's Finals, I knew he was going to be in trouble. Well, he is.

Check this YouTube.com clip out. Imus makes some very racist comments about the Rutgers women - about the way they look and about their character. Even if he was trying to be funny, he failed. Sure, it is just "talk" but "talk" like this hurts. With people like Mr. Imus on the air, spouting this kind of rhetoric, no wonder we continue to be ignorant about the rest of the world. Mr. Imus and his ilk have no place on the public air waves. If you feel this is an infringement on his right to free speech, feel free to comment below. I would love a dialogue about this.

And to be fair [would we want to be?] here is Mr. Imus' apology [notice his body language and his dark glasses]:

In my opinion, his apology doesn't sound the least bit sincere. What do you think?

Saturday, March 24, 2007

India: Easy, Peesey

Sorry I am subjecting you to a rant but there is yet another travel-to-India article that completely misses the boat.

The author's premise is that Western audiences don't have enough time to "visit" India. Fair enough. See two wedding photographers, Sean Flanigan or Dane Sander's really quick trips into the country. It's possible.

So, that's not what I am moaning about. I cringed as I clicked on the link to the article. I just about guessed the only image they would use on the top is of [drum roll] the Taj Mahal. Oy! Com'on New York Times. India is a lot more diverse than that old hackneyed image. But the meat of the article was about, yes, visiting the tourist traps in the North. The South, the East or even the West of India are all but, well, non-entities. And that pisses me off.

Here is a respectful, but perhaps stern, demand to future travel writers of India – please skip North India for once and check out the rest of the country. By focusing again and again only on the Northern triangle - Delhi, Agra and Jaipur, you are only perpetuating the myth of India as a mystical place. Visitors to India will continue to have a myopic view of the country.

No doubt these places in the North are must-see places, but please for the love of God, find a way to see the rest of the country and write about it. And please be a little more original about the use of your images.

Saturday, March 10, 2007

Dolce Et Decorum Est?*

International Women's Day came and went by quietly. A few websites mentioned it. Jason Kottke had a link to a photo exhibit called Women of Our Time.

Blank Noise Project attempted to "to understand how different women ( across age groups/ cultures/ communities) have dealt with street sexual harassment in their everyday lives."

And Mike Davidson asks "What EXACTLY About This Ad Is Offensive?"

"The ad shows a man and a woman, presumably about to have sex, with four other men at various levels of undress looking on. There's no denying that the ad is extremely racy and people are well justified to be offended if strikes them negatively, but from a design perspective, I'm interested in *exactly* what elements of the ad push it over the line."

Sexy or Sadistic? Here is the image:

Dolceandgabbana

You decide. Take the poll.

*With apologies to Wilfred Owen, the author of the poem Dulce Et Decorum Est, for the title of this post.

Thursday, January 18, 2007

No, Really ... How To Be Creative?

Hugh MacLeod's ChangeThis Manifesto called "How To Be Creative" is a quick download and a terrific read. MacLeod is the sardonic cartoon illustrator on GapingVoid.

I got this link off of Guy Kawasaki's wonderful marketing blog, How To Change The World.

Also read, Steve Pavlina's blog post on maximizing creative output. T'is the season to be creative!

Friday, December 08, 2006

Heartworks, A David Williams Workshop

As some of you may be wondering, I have been "gone" for a couple of weeks. Thanksgiving came and whizzed past me. And then I attended a terrific three-day photo workshop in Rhode Island, led by David Williams. It was just the right injection of art + photography that I have experienced in a long time. If I can paraphrase David, his message is essentially, "imbue your work as an art form and all glory will follow."

If you are a working photographer – no matter what sub-genre your persuasion happens to be – treat yourself to one of David's workshops. You will come away a better photographer and perhaps even a more enlightened human being.

Tuesday, October 17, 2006

Remembering R. K. Narayan, by T. S. Satyan

“This is an advantage that age bestows on a man even if he is an utter ass!”

What follows is a paper by the legendary Indian photojournalist, T. S. Satyan, read on October 10, 2006 in Mysore at the international seminar to celebrate the birth centenary of eminent novelist & writer, R. K. Narayan. The seminar was organized by the Central Sahitya Akademi, Indian Association of Commonwealth Literature and Language Studies and the Central Institute of Indian Languages. [Thank you Mr. Satyan for allowing this to be republished on Tiffinbox!]

I feel honoured to be asked to present a paper at this scholarly forum to mark the birth centenary of R.K. Narayan.  I am not an academic. I am only a foot soldier of Indian photography. My only credentials to speak on this occasion are that I knew Narayan since the early 1940s. I benefited from his unalloyed affection and guidance for some six decades. And I kept in touch with him till his end.

Being a photographer I am more interested in presenting a portrait of Narayan as I knew him than making an elaborate critical assessment of his works.

When I was in the Maharaja’s College in the early 1940s––where Narayan had studied earlier––I was greatly attracted by newspapers and picture magazines. I had already started contributing photographs to the Illustrated Weekly of India. Initially, I shared my father’s belief that the best way to improve one’s English was to read The Hindu regularly. However, its editorials put me off. The part of the paper that interested me most was the Sunday column by R.K.Narayan. He would write an essay or story which made delightful reading.  Reading his essays I felt that Narayan was chatting with me and making me laugh. I mentioned this to my English teacher, M.N. Parthasarathy––Pachu to his friends and students. “If you are interested in pursuing a career in freelance journalism, you better meet RK Narayan, our family friend. It might help,” he said. Pachu asked me to read Narayan’s first three novels––Swami and Friends (l935), The Bachelor of Arts (l937) and The Dark Room (l938). They had already been published in England and raised him to the status of a celebrity.

Continue reading "Remembering R. K. Narayan, by T. S. Satyan" »

Tuesday, June 20, 2006

India Inc.

Time magazine's June 26 cover story is about India emerging as an economic superpower. Check out the cover image here.

My question is this – is India the new Japan? Having lived in Japan and seen how the bureaucracy there has befuddled its economy, I really wonder what sort of reformation the Indian bureaucracy will have to go through for the economy to really blossom. And by blossom, I mean for the common man and woman to feel the benefits of the economy; not just the top-tier wealthy.

Comments?

Thursday, April 27, 2006

Double Barrel

Pssst ... wanna see something truly obscene? [for the record this is kid and office-safe, but it might still shock you]

Monday, March 20, 2006

Who Is A Tiffinboxer?

Here is my annual call to you all to spread the word about Tiffinbox. I would appreciate it if you subscribe to my RSS feed. Of course, visiting the site gives you the added bonus that makes it easy to view some of the multimedia I post here. So, do stop by from time to time or every day.

Design Changes

Across several platforms, screen sizes and browsers, I found viewing the post titles and date to be a major hazzard to my eyes. You may now notice that the post titles and the date are a whole lot more legible. Next up will be a bit of a nip-n-tuck of the long lists that envelope the central column of this site. They have become much too unwieldy and I am not even sure if anyone bothers to scroll down to check out all the options available to them. So, I am going to be "hiding" the links in a drop-down menu. You will have to click, hold down the arrow and then select whatever interests you.

Those of you who do receive the RSS feed via Feedblitz will now see that the email comes from Seshu's Pipal Productions. The subject line should read [Tiffinboxers]. You will also see the Tiffinbox mascot on the top. The feed also features something I love – a short string of links right on top that summarize all the new posts on the site.

How To Become A Tiffinboxer?

To become a Tiffinboxer is easy – simply forward the Tiffinbox website address [http://www.tiffinbox.org] to at least 15 of your friends and email me when you have done so. Let's follow the honor code on this one. I'll randomly choose people who email me at tiffinbox [at] pipalproductions [dot] com and send them a fancy shmancy silk-screened Tiffinbox t-shirt. Trust me, you will look very hip wearing one. I'll soon post a photo of yours truly wearing one to show you what one looks like.

Serving It Up

Tiffinbox is a labor of love. No doubt about that. But it costs money to manage. While I don't want to make it a habit of extending my begging bowl out to you, it would be great to have my server and other costs covered. For instance, I am heading to Boston at the end of April to learn about podcasting. That costs money. I know a lot of people get a morsel or two out of this Tiffinbox and I would really appreciate it if you could pitch in. Even if it is $1 per month, I'll accept it gratefully. I promise to use your donation wisely and responsibly. To make it easier for you to pitch in, I have created a DropCash page here.

Advertising on Tiffinbox

If any of you know of an organization or a business that would like to advertise on this site, please have them contact me. I welcome all legitimate and reasonable offers that I can easily (and aesthetically) accommodate on the site.

Let's Connect

It's truly fantastic to hear from all of you - a great mix of folks, some of whom I have known a long time and some others whom I haven't yet had a chance to meet in person. May that day arrive soon when we can get together and perhaps share a warm meal. I would like that very much.

So, who is a Tiffinboxer?

Well, if you made it all the way down here, the clear answer is – YOU. So, thank you!

Sunday, March 12, 2006

Blank Noise Goes Boing Boing

Blanknoise

I don't know how many of you have been to Tokyo and ridden in one of the commuter trains during the morning rush hour. Let me tell you that it is a trip and a half. There are white gloved train employees hired to do nothing more than thrust with all their might as many people as they can into one train car as possible. The trains take on a sometime amusing, but mostly exasperating hue on one's pysche, as you think of yourself as a sardine being slammed shut into a tin can.

I mentioned the Blank Noise Blog-A-Thon here and I had hoped to pen something substantiative on March 7, but it just didn't happen. So here is my attempt at redemption.

Boing Boing picked up the Blank Noise blog-a-thon and reading the post in my news aggregator today brought back a specific memory that may seem appropriate to narrate.

About 10 years ago, when I was a student in Tokyo, one of my classmates [name withheld] often mentioned being sexually harassed in the crowded trains. The culprits were almost always older men. As the trains swayed, so did the men into her. While usually an apology is offered and almost expected in Japanese culture for bumping into someone, she said the offending "ojiisan" [literally "grandfather"] acted as if nothing really had happened. It was a near daily ritual. She had had her butt pinched and palmed, and her breasts groped.

When the rains came she felt an umbrella handle being wedged between her legs. At that point, she had had enough. I remember her telling us that as a station approached, she turned around and stuck a safety pin in the guy [yep, she was armed and ready this time]. As he shrieked in pain and exited the train, she followed him out onto the station platform and let loose a series of Japanese epithets that are simply unprintable here. Aghast and mostly ashamed, the man did little more than turn and run away.

Listening to my friend describe her experiences were a mixed group of students from the US and Europe. It's not that sexual harassment doesn't exist in the West, but we were honestly stunned to hear about the old man's lecherous actions given all that we had heard about the extremely ethical Japanese culture. A few rotten apples always seem to sully a good experience, but we secretly agreed that the best course of action was to punish the man with pain and then public humiliation.

The question, though, is if the actions of a dirty old man is pervasive in that particular society. Does it happen enough number of times in a day to enough number of women to make it an epidemic? According to Blank Noise even one woman or girl being harassed is one too many. I have to agree. Be a real man. Support the site, support the project. Learn about this very complex issue. Now.

Sunday, March 05, 2006

Step Up To Veto Orphan Works

ASMP, Editorial Photographers, National Press Photographers Association and other photographer friendly organizations are mounting a spirited campaign against proposed amendments to the current Copyright laws in the US.

“The U.S. Copyright Office issued its report on Orphan Works only a couple of weeks ago. The end of that report contained proposed language for an amendment to the Copyright Act. That proposal is now being fast-tracked in Washington with a good chance of passage before the end of this Session. In my opinion, if that language is enacted in its current form, it will be the worst thing that has happened to independent photographers and other independent visual artists since Work Made for Hire contracts.”

Orphan Works are those copyrighted material (images for instance) whose owners may not be easily located. According to this report, if the owner of the copyright isn't located within a reasonable amount of time and effort, the previously copyrighted objects is “released” to whoever has possession of the said object(s) for their use without fair compensation to the creator of the artwork.

What, is that right? Yep, that's what the amendment is proposing. And it is being fast-tracked through Congress RIGHT NOW.

The ASMP site puts this more succinctly by saying this:

“Orphan works are basically works whose copyright owners cannot be located. The term ”Orphan Works“ is really a dangerously misleading phrase. It makes it sound as if it includes only a few works that are not valued enough by their creators to warrant taking care of them. That may be true for owners of many kinds of copyrights. However, the reality is that for independent photographers and illustrators, the majority of your published photographs may well become Orphan Works. The reason for that is that, unlike just about every other category of copyrighted works, photographs and illustrations are typically published without any copyright notice or credit to the photographer or illustrator. The one exception to that has traditionally been editorial uses, but even there the trend seems to be away from providing credit lines. As more and more photographs are published on the Internet, credits become even rarer. Worse, even if you registered your photographs at the Copyright Office, there is no mechanism for identifying you or your photograph or for locating you through those records, if the user does not know your name.”

Here is what you can do – 1) write to your representatives (the ASMP site has a boiler plate letter that you can massage with your own words), 2) when you create a work of art (whatever it may be) submit a copy of it to the U.S. Copyright office, 3) if you are working with publications insist that your name appear in the credit line (make this part of your contract with them, 4) be vigilant about your images and where and how they are used (I had one Indian magazine use one of my images without my knowledge and then confessed to doing so after I pointed it out to them), 5) if you find transgressors, don't sit around waiting for them to come to you, send them a letter with an invoice attached and 6) barring all of the above hire an attorney who will work with you.

If you won't fight for your rights, no one else will either. Step up folks!

Monday, February 27, 2006

Should I Shoot, Or Should I Go ...

.... If I Shoot There Will Be Trouble, If I Don't It Will Be Double.

If you are a photographer – novice, amateur, professional staffer or freelancer, photographing on the subways can a dicey affair.

Alicia Wagner Calzada, president of the National Press Photographers Association, shares this video clip showing an altercation between a staff photographer and a New York City policeman who clearly does not know whether photographing in the subway system is permissible or not.

According to Calzada, “It illustrates a struggle that we are having with the right to take pictures in public places. As a bit of background, the NPPA (joined by several other groups) fought hard to block a proposal to ban photography on public transit in NY. It was defeated. But it appears they decided to enforce it anyway.”

If you are stopped by transit authorities or the police for photographing in the subway or train systems in and around New York City know that the law is on your side but it hasn't yet trickled down to those who enforce it.

If you are a photojournalist, are you to surrender to their directives to stop photographing? Or, are you prepared to challenge the officers and possibly get arrested ? As the photographer in the clip correctly states, most people will cease and desist rather than get arrested because no one wants to traverse the court system.

Ever wonder what the cost is for not telling the story? What kind of trouble will we be if all we are blanketed with is a sterile form of journalism – cleansed and approved by the authorities?

With profound apologies to The Clash for the title of this post.

[Link sent in by John Laxmi]

Friday, January 20, 2006

Newspapers, RIP?

[This blog post is sponsored by Seshu's Pipal Productions – Wedding Photojournalism: Elegant. Memorable. Real.]

Newspapers in the US aren't doing well. It's a beleaguered business awash in red ink and low morale. That's a broad statement and I am sure there are exceptions to this. But if you look at what is going on – shrinking budgets, loss of readers, layoffs, closures and sales – one realizes that the era of newspapers as the only source of news has come to an end.

Television sucked off a great number of people, who with little time on their hands depend on the 11 p.m. newscast to give them the “news” in small morsels and sound bites. The Internet has further supplanted the readership from newspapers because what can be delivered online is, in my opinion, even better than television. It's not just about speed. You certainly have a myriad of options on your computer that your television simply does not offer. Need I say it, newspapers simply cannot compete in this arena anymore.

So, the new king of info is really the Internet. Yet, it too needs to be massaged into something that the audience will return to use and appreciate. And, eventually something that advertisers can depend on for their revenue streams to start flowing again. Take a look at CNN.com or MSNBC.com; you will find succinct articles that are often myopic in nature. The articles on those sites may satisfy a certain class of online readers but it leaves those of us wanting more (yeah, there is always the New Yorker or the NY Times Sunday magazine, right?) with really nothing substantial to munch on. I think this is gross misuse of technology. No, I don't want to be bombarded with long, droning pieces either. The rush to scoop the other channel has quite often had these cable giants correcting their mistakes after the fact. It can be sloppy journalism; maybe fair, but inaccurate as well. Make these errors often enough and your online readership is going to start looking elsewhere for their news.

To their credit, MSNBC.com has showcased some of the best use of multimedia (in its true sense) than any other website. They have the capacity to do so, but also the directive of the management that sees this kind of work as informative and inspirational. The two newspapers that have successfully harnessed the Internet are The New York Times and The Washington Post. Again, there may be more out there, but that's where I head for my news and multimedia presentations on the web.

But more needs to be done. Enter Craig Newmark, of Craigslist.org fame. He may be the man to turn things on its head. As investigative journalists are let go at newspapers, Mr. Newmark intends to hire them for his yet to be named online news project. This should be interesting to watch. Will this turn into yet another “citizen-journalism” project? How will Mr. Newmark account for credibility and accuracy? There are lots of questions, but it is great to see that alternatives are starting to crop up.

Another “newsie” project is by Mike Davidson called Newsvine. I received an invitation to test it out and I will report back here about my experiences. Newsvine, writes Davidson, “is a large-scale news media site which gives you almost all the same stories you read on sites like MSNBC and CNN but presents them in a much more attractive package. Attractive not just in looks but in function as well. At Newsvine, we feel strongly that an article’s life only begins the second it is published. It is only when readers interact with it that it achieves its full impact.”

What are Craig and Mike up to? I think they are giving us, the consumers of news, a bit of a break. A break from getting news pushed to us. By allowing us to go fetch our own news, we are in some sense, in control of what we receive. There may be stories that we may wholly miss. But we do that with regular newspapers anyway as we gloss over headlines. Advertisers should be happy too, as they can target their market a whole lot more accurately now. The old-school, shot-gun approach to attracting the reader's attention (interruptive marketing in Seth Godin's language) will begin to fade as RSS updates from these news sites will be accompanied by text or graphic advertisements that the reader will more likely click on.

I am excited for Craig Newmark and Mike Davidson. I think they have both (Newmark's project is still speculative right now I agree) hit upon a phenomena that will reap them great rewards. And we are the better for it.

If you want to read more about how the tectonic media plates are moving, keep an eye on MediaShift, by Mark Glaser. And, oh, don't forget to subscribe to its RSS feed.


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Thursday, January 12, 2006

The Brown Frown Argument

"If you are brown, them authorities will frown."

That's my synthesis of what goes on in America if you are a non-white photographer taking pictures on the street. I am not the only one who has been bullied for merely walking on the street with a couple of camera bodies. Harikrishna has had at least a couple of incidents. And apparently so has the documentary film maker Rakesh Sharma who is taking New York city to court over his [legal] run-in with the law. If you are as pissed off as I am, please sign the petition.

Tuesday, January 03, 2006

Belated

Yes, I have been slow to arrive at my machine for the last couple of days. But here is wishing you all a very happy and prosperous new year!

Monday, December 19, 2005

For The Love Of Labor

Amit at India Uncut says “My rule of thumb while doing freelance stuff for Indian publications: don't write for money; too much of a headache chasing it.” Very true Amit.

The same can be said about photographing for any Indian publication. They will want the work right away but pay you when they see fit, which if my experiences mean anything is either when you become a pain in the ass to them or they choose to designate you as a non-entity and want you to disappear.

Given that I will never shoot for either Outlook magazine or India Abroad ever again, I am taking the bold step and mentioning both publications here. Freelancers beware.

The solution isn't working for free [unless you are independently wealthy or a trust-fund baby] but sticking to your guns BEFORE you commit to the assignment. The way to do that is through a contract signed by both parties. Yes, that's cumbersome and yes, given that the offending publications are ensconced in India, where these sort of contractual laws fall by the way side, this may all seem moot. But you have gotta start somewhere.

In the contract, insist on a retainer [don't call it an advance] to cover all your immediate expenses. Payment should be made due upon delivery of said product, be it a paragraph or a photograph. You will likely hear a song and dance about how accounting won't release the funds until the article is published. This is merely a dog and pony show. If they did not have the funds to pay you, they are unlikely to have the funds to go to print but of course they will go to print because they have the funds. Again, stick to your guns. If you are a photographer, I suggest sending in low-resolution images with the caveat that high resolution versions will be emailed to them the second their payment is received in your bank account. Yes, they are all capable of wiring you money.

All this talk of a contracts and deadlines will make you highly unpopular and will likely get you blackballed. I haven't heard from several publications in months [you know who you are] because I got sick of their tactics and put the screws on their accounting departments. In my opinion, it's really their loss.

If their management insists on paying freelancers peanuts to begin with and then adding insult to injury, paying for the assignment only months later, they are undeniably only getting desperate freelancers who are willing to scrape the barrel or, as I have said before, are cash cows who could care less about being stiffed. The publications are also unlikely to sustain, over the long term, a pool of truly professional photographers or writers dedicated to their craft. In the end, professionals loose out and so do the publications as the quality of their output goes down the drain.

It's a very different world out there. While the Indian economy seems to be competing very well in the global marketplace, the publishing/journalism industry seems to be entrenched in archaic and decrepit ways of doing business. I see the capacity of India Today to not merely compete against Outlook magazine but indeed go head to head with Time, Newsweek or Spiegel.

It's time for Indian publications to wake up and smell the chai.

UPDATE: I came across this related post on ArZan's blog.

Monday, December 12, 2005

Name Change

The Indian Express suggests that the Karnataka Chief Minister N. Dharam Singh has initiated steps to rename "Bangalore" to "Bengaluru."

Bombay became Mumbai, Calcutta became Kokatta, Madras became Chennai. India to be called Hindustan?

I think the Chief Minister has better things to do for his state and this sort of idiocy needs to stop. Does it force upon people a benign form of patriotism or nationalism to refer to their city by an ancient and somewhat archaic name? I think it just confuses people and makes it even harder for people to do business in India (ooops, Bharath, no Hindustan, no hamara desh - ugh, whatever).

By the way, I'll continue to always tell people that I grew up Madras, politics [and politicians] be damned.

Thursday, September 01, 2005

Lootin'

Via Ashok Parameshwaran

There is a brewing controversy over two very similar images, showing people from two different racial backgrounds.

Black people loot, White people find. Two photo agencies with obviously shitty copy editors.

The caption for the image of black people reads:

A young man walks through chest deep flood water after looting a grocery store in New Orleans on Tuesday, Aug. 30, 2005. Flood waters continue to rise in New Orleans after Hurricane Katrina did extensive damage when it made landfall on Monday. (AP Photo/Dave Martin)

The caption for the image of white people reads:

Two residents wade through chest-deep water after finding bread and soda from a local grocery store after Hurricane Katrina came through the area in New Orleans, Louisiana.(AFP/Getty Images/Chris Graythen)

The controversy has spurred commentary from other well known bloggers such Romenesko and Gothamist.

What do you think? Was the difference in reporting intentional or unintentional?

Sunday, August 21, 2005

AWOL II

This is getting to be a bad habit. What excuses can I conjure up this time for my utter reticence on this forum? Time again is at an all time premium. Ah, but should I continue supplying you with the same excuses?

It's late and my creative juices have stopped flowing. The fact is this – this last week I spent a great deal more time on a digital wedding photography forum learning the ins and outs of wedding photography than I did looking for cool content for this site. I can't mention that site's name or the URL. Suffice to say, I have learned more in a week than in a whole semester at college.

Some of you know that I have dove in head first into the digital realm. It's a little overwhelming. Harikrishna, a fellow photog, who posts his comments here has encouraged me to look at capturing images in the RAW format. But even before that crucial step, I have learned now, it's vitally important to know how to set the White Balance for the camera so that one's RAW captures can be easily converted. That's where I am sort of stuck. So, Hari, if you are reading this, holler at me. You know my number.

I am heading to the West coast this coming weekend to photograph a wedding. Yes, all digital. Am I nervous? Hell yeah, I am. If it were film, it would be a cake walk. But pithy comments aside, challenges are meant to make one stronger and I do hope this experience does for me what it has done for countless other photographers; make them better image makers using the tools of today. I don't mind acknowledging the fact that, in some respects, it does feel like I am photographing for the very first time. It is frightening, exciting and certainly exhilarating all at the same time.

The last few weeks of using my Nikon D70s has been very interesting. I have encountered lots of successful moments capturing precious moments in beautiful light. I have also been confounded by a recurring exposure problem when I use my 35mm f/2.0 lens on the new camera. [I understand a lot of this is going to be glossed right over by non-photographers, but bear with me please.] Consecutive exposures produced by my new camera have all had blown-out highlights and that too when I was just messing around in the "P" [or Program] mode. This is the mode that most amateurs will depend on for creating images. I use the "M" [manual] or the "A" [Aperture] modes for most of my image making. The "P" mode provides the user both the shutterspeed and the aperture to create adequately and [most of the time] accurately exposed images. To find that the machine fails in this rather basic function perplexes me. I have to wonder if I have unwittingly hit some button on the machine and it will remain whacked till I reset it to factory specifications.

Ok, I have rambled on enough for one night. I hope to have something more substantial and wholeheartedly interesting to post tomorrow. Thanks for reading!

Friday, August 12, 2005

AWOL

If you haven't noticed, I haven't posted anything here for over a week. It has been rough. My father, who is visiting us, took ill and we have had numerous trips to the hospital. He is on the mend now. It's been busy at work as well. Plus, I am not in the habit of posting just anything here. If it isn't really interesting to me, it is a safe bet your interest won't be piqued by it either. There is already so much junk on the Internet anyway, why clutter it up even more and waste your time.

Well, I am going to make some real effort to finish the Kaaya series this next week. There are some controversial images coming up; ones that will make you wonder if viewing this at work is wise, so I am going to tuck them into the extended section of the post. Click on the link at your own risk. I assure you it is not pornographic, just graphic.

Having said that, let me get back to the projects I have at hand. One of which is a blog about wedding photojournalism. I'll let you know what the URL is in a few days. Will launch on my 37th birthday [on August 23]. I also want to report here that I am having way too much fun with my new digital camera, the Nikon D70s. While I still gripe about it missing a vertical battery grip for shooting portraits, the camera performs satisfactorily. My true test of the machines (yes, I am about to buy another) is if can produce work for a wedding I am photograhing in Los Angeles at the tail end of this month. This will be my first all-digital wedding. I am a bit nervous, but the process of photography is about stepping off the curb and into high traffic to see if one can survive. This will be just another test. I am mucking about now with the machine to get used to all its various bells and whistles and trust me, there is more here than there was on my F-100s.

I am selling my Nikon Coolpix 4500 for $200. First person to respond and pay me [Paypal possible] will get that camera and a 192mb compact flash card, along with a couple of rechargeable batteries and a battery charger. Shipping included. Email me at tiffinbox [at] pipalproductions [dot] com. The Coolpix has served me very well. I paid $645 about two years ago. It's a 4 megapixel camera that swivels [very cool!]. The picture you see below was shot with it. So, the quality is there.

Winterinny

Wednesday, July 27, 2005

Rucksacks In Nottinghill

Photograph sent by Ram Rahman:

Nottinghill

You gotta love this. If you are brown, in or around London, don't carry a rucksack/backpack or wear a large coat. And definitely don't run with any of the aforementioned items in hand onto a bus or attempt to get onto a train. You are asking to be harassed.

I am apalled by this. The thing that gets me the most is about "looking a bit foreign." Hello! London is quite likely the most cosmopolitan city in the world [thanks to their colonial past, but that's another post]. Are they going to stop just everyone who isn't WHITE and interrogate them? I called this a long time ago when this whole Iraq mess was brewing; the civil liberties of brown and non-white people was going to take a major hit. And it's happening. Slowly but surely our travel will be restricted, our intentions questioned and lives rebuked.

I was listening to Rush Limbaugh on the way into work [gotta know what the neo-conservative muckymucks are talking about right?] and Roger Hedgecock who is sitting in for ol' Rush took a phone call from some butthead in Orange County who has worked up some sort of legislation to make profiling of "Puerto Ricans and Blacks" legal! Amazingly, Mr. Hedgecock let the guy ramble on and on and then agreed with him in the end. The parochial nature of these nationally syndicated talk-shows really worries me.

Anyone else feel marginalized?

Thursday, May 19, 2005

“Photography, Like Journalism, Has No Intellectual Tradition”

I received a note from Mahesh Bhat, a photojournalist based in Bangalore and a well-wisher of Tiffinbox. If you remember, Mahesh went out to Perpignan last year. Nevermind that I turned green with envy for him being there in the midst of such great photojournalism, but the man happened to strike up many great conversations with some incredible photographers.

Find below one email exchange Mahesh had with Pakistani photojournalist Asim Rafiqui:

Mahesh Bhat: There are a couple of things about photographers that bother me, I thought I should share with you. You know magazines routinely publish lists of most influential people from different walks of life, lists of people whose work and ideas inspire us. They feature politicians, academics, actors, film makers, musicians, business people, activists, writers ... but never photographers. Why is that; is it because our work does not influence anyone? Or is it because the media is such that photography is always seen as mere illustration? Or is photography something that is meant to be glanced rather than remembered and mulled over? Can photography books never attain the status of fiction say? What do you think Asim?

Another thing is that why we photographers are always contacted at the last moment? (even for features) Most of the time we get very little time to work on stories. I wonder if they rush their writers as well?

Asim Rafiqui:
The question you ask about the influence of photographers of current society and culture is a good one. Today when lists of the 'most influential' are produced, they are no more than celebrity lists. And photographers are usually never celebrities. Richard Avedon perhaps, Herb Ritts, and a few other celebrity photographers sometimes do make it to the list, but in general we are not seen as influencers of culture. And there is something to that. Susan Sontag had some poignant points in her recent book 'Witnessing The Pain Of Others,' made a point that photography is unable to set a moral compulsion without an appropriate political or cultural context already present. It can help create one, but it cannot in and of itself, be the impulse for one. I will not elaborate on her arguments, but only point out that she too realized that photography reflects but rarely ever defines a society.

I remember [John] Berger talking about how the most famous photographs and the greatest photographers often evoke memory through their images i.e. their pictures remind us of something in the past, or capture our ideas of the past that we now wish to preserve. [André] Kertesz, [Henri] Cartier-Bresson were brilliant in picturing the cliches of Paris in the 1920 and 1930 and even today the best known photographers capture best what we believe the reality to be and that we can see confirmed in their images. So even Berger seems to think that photography is about memory, and not about creating the future.

In fact, it is a common fact that most people cannot relate to photographs that get their timing wrong e.g. photojournalistic pieces of no catastrophes that have as yet not been declared as such by editors and politicians. Sudan and [Olivier] Jobard's work comes to mind – he went out too early and no one would publish the work.

So I think that photographers are not influencers of the future, but documenters of the past or of the current. The other problem is that photography, like journalism, has no intellectual tradition. So unlike painting, literature and so on it lacks the history and depth that is often associated with valued pursuits.

I don't think it is the media; after all there are many photographers working outside of media. Dayanita singh who is doing more and more outside magazines and so on comes to mind.

That being said, i think that some photographers who cross over to art more explicitly can be considered as major influences. I am thinking about Alfredo Jaar who has had a major influence and I think is absolutely brilliant. He is a photographer who is more now an artist and has publications and exhibtions that are massively attended. I would say that he is in fact recognized as a major influence in modern art circles.

So that was not an answer, but just comments.

As for editors – well, magazines use photography as illustrations. Editors are not photographers. They do not understand photography. They have no interest in it and they cannot do it. And besides, editors fight for control and any chance they can get to marginalize someone else they will take it. This is an old batter – read Eugene Smith arguing with his Life editors and you can see that this goes back to the early days of photojournalism. We will not change this regardless so there is no point in waiting :)

Mahesh Bhat:
Thank you so much for writing such a detailed reply! I really appreciate it. I agree with you completely that photography has no intellectual tradition. Perhaps that is the main reason why photography is seen as an art that does not define a society. Perhaps we photographers are really to blame. But I do believe that there has been a lot of thought provoking photography has been done by many photographers that has the intellectual rigour of say great prose. Salgado and Robert Frank are on the top of my list. Raghubir Singh and Raghu Rai have influenced many... I love your work “Trapped in someone else's dream.” I feel that it's very sensitive and profound. What would have been the reception by editors and critics if someone had written a book on the same subject or a feature film on that theme? I am sure that you would have been a celebrity by now!!

But photography is always been seen as a tool to illustrate – always a means to an end. I guess we photographers are to blame for it. We have always remained in the periphery and never really in the main stream of the art or literary world.

I'll comment on this lively exchange in a day or so, but I feel compelled to [tinge of irony ain't it] publish this, yes, intellectual exchange that both Mahesh and Asim feel doesn't exist in photography circles.

Would love to hear from you all about what you think. You know where to leave your comments.

Saturday, May 07, 2005

Binoo's Beef

Some of you know of an ugly email exchange I have had with Mr. Binoo K. John. I now wonder why I even bothered taking the time to respond to his uninformed assertions about photography, his presentation skills and his approach to the photography business.

Mr. John in his most recent emails threatens me by saying that I will “face the consequences” if I don't remove the post that called him on his deficiencies.

He initially initiated contact to have his site linked. As it is only natural to check the site one is about to link to, I reviewed the site and explained to him why I didn't think his site was such a great fit on my site. He should have left it at that. When I declined his request, Mr. John's vitriolic emails calling me names spurred me on to retort back with what I really thought of his site, his photography and his business ideas [yes, in public because he urged me to have his views published]. I used his own images to show that he lacked the knowledge to present his work in an aesthetic manner and felt as a seasoned photographer that his images were far from professional. While that is largely relative, there are still some standards that I adhere by; one being the images you present, whether they are high or low resolution images shouldn't be so impossible to view because their quality, well, sucks. I also found issue with the way he was hawking his images; devaluing the art and practice of photography and giving the profession of photojournalism a black eye.

Mr. John emailed back to say that he has high resolution images that are crisp, clean, color corrected and content-driven. I'll give him the benefit of the doubt and accept that he has these at the ready to sell to us NRI's [non resident indians, who don't know what that means] for a $1 a piece. Why he doesn't publish low-resolution images on his site that are also crisp, clean, color correcte, content-driven and easily viewable is really beyond me. As Aditya commented, I ought to perhaps just let Mr. John do his thing and people will figure it out for themselves.

My commentary was a review of his site and his skills as a photographer. I haven't read his books but by reviews of them on the at least the Outlook magazine site they look like they were panned rather than 'critically acclaimed.' So, I am not so sure why Mr. John keeps writing to me to say that I have “libeled him” and “put hurdles in the way of my carrying out my independent profession and caused damage to my reputation as a writer and photographer.” If he found my words critical of his skills as a photographer, he ought to take Outlook magazine to court as well for not being so thrilled about his books. He goes on to say that my intentions were malicious. Far from it. I had hoped our private conversations were taken as constructive and instructive. Obviously my sincere intentions backfired on me.

I believe in learning and teaching. However, if you approach me with the attitude that I should do you a favor and accept whatever you pile on me, I am going to take you task. If your approach is about fostering a collective learning experience, as my new friend Tahir Amin has done, then we can work on an equal footing. The exchange of true knowledge begins with humility not egoism.

In any event, being open to criticism is absolutely key. I do not for a nanosecond believe this site or even my own photography is at a level where it should be. There is always more to be learned and my work can always be improved. But at least I recognize those facts. I have received numerous emails telling me how to improve this site and I have taken them all to heart; acting on the advice when time permits and socking away ideas for a day when I can devote time to make those improvements. And to be fair, I have shown my work to many a newspaper editor and had my portfolio shot down for content, vision, quality and presentation! One simply cannot take things personally in this business. Not everyone is going to be happy or thrilled with what you have produced. At some level, your art is your own. But if you are going to share it and then ultimately market it, your work better be at a level that is nothing short of exemplary. And you have to be open to have your work commented on and critiqued (and critcized) if you want to stay in this business. To use a cliché, Mr. John, if you can't handle the fire, get out of the kitchen.

When I saw his poor presentation and lackluster images, Mr. John's audacious claims that he is a professional photographer riled my sensibilities and I do admit that I became defensive. Far too many people are able to now at the click of a button claim that they are professional photographers. I am all for citizen journalism but it needs to be recognized as such. I have seen photo bloggers who don't call themselves professional photographers with better, more interesting, portfolios. But let me really stop here. This is hardly an attack on Mr. John “the person.” I do not know him personally. Nor do I wish to. It's a critical assessment of him as a purported professional photographer and review of his publicly accessible work. And given that his site is in the public domain, it's open as much to constructive criticism as it is to praise.

Mr. John's beef with me is that I called him on his inconsistencies in private, then published my thoughts publicly on this blog (again because he clearly challenged me to do so). Now he wants me to take it all down. I am afraid I cannot in good conscience do so as it cuts down my ability to express my thoughts (in essence censoring myself).

This is a blog - a weblog - where personal ruminations, including sharing opinions, are expected and accepted. Mr. John, if you don't like what you see here, feel free to visit another website or shut your machine down for the day. Here is one “demented NRI” saying - we'll all be the better for it.

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Tuesday, March 08, 2005

Lyrical Genius

Harvey-1

Adithya Sambamurthy says:

I was a college senior when I first saw the book Divided Soul, by Magnum's David Alan Harvey, who gave a presentation on his work at thePoynter Institute in St. Petersburg. Back then the images were incredible, but I must confess I wasn't quite sure I understood it. I didn't know why the book was put together the way it was. The instant recognition of the theme was not there to me in the images. So it was a treat to have the opportunity to hear the author come and speak- and show some amazing images. Harvey considers himself a hybrid between the realms of photojournalism and fine art photography, and a number of his images have appeared on the pages of National Geographic as well as on the walls of Fine Art museums.

Divided Soul

Harvey explained how he is able to 'sell' his images to editors, by researching his subjects thoroughly and giving images, which on the surface seem very graphic, the context they need for the story through well written captions.

“Know more about the subject than everyone else in the room,” he said. In researching his book, Divided Soul, Harvey said he was as influenced as much by the fiction coming from Spain and the Americas as he was by newspaper articles. He attributes what he referred to as the lyrical quality of his images to this influence by fiction.

Wednesday, February 23, 2005

Bushit

President George W. Bush gives new meaning to the expression - speaking out of both sides of your mouth:

“This notion that the United States is getting ready to attack Iran is simply ridiculous,” Bush said during a news conference Tuesday evening. “And having said that, all options are on the table.”

Are we going to bring American-style democracy to Iran too? As I drove to work the other day, I listened to Rush Limbaugh “report” from Afghanistan. Beyond the usual fluff in the conservative talk-show host's monologue, he said something quite interesting. All that mattered, he said, was that people in Afghanistan were set free [from the Taliban]. While I applaud the removal of the Taliban, I have to wonder, though, if the Americans set a country free (isn't there a tinge of condescension building here already?) would the Americans really accept a militant Islamic state to take its place, assuming of course that people were free to choose a militant Islamic form of government?

I think the American agenda in that region of the world is much too complex and Mr. Limbaugh is as usual much to simplistic in his world view. But back to W; the ambiguity in his statements are not likely to assuage Iranian fears and like any country that has been battling the US overtly and covertly over the last 50 years, it will seek to defend itself. All we need to do now is to crib notes from Saddam Hussein on that front. History, teaches nothing.

Monday, January 31, 2005

Blinkered & Blind

Drik, the progressive photo agency, Pathashala, the photography school that trains adults and children and Chobi Mela, the internationally acclaimed photo festival in Dhaka are all due to Shahidul Alam's unflinching passion for photojournalism.

A recent letter from Alam to the Magnum photographer Raghu Rai has set me off a bit. The letter is long, but convincing. The gist is this – the Indian High Commission in Dhaka promised Alam and his associates that it would sponsor some of the exhibits at the recent Chobi Mela held in Dhaka. According to Alam, at the very last moment, the Indian High Commission reneged on its promises to participate in the photo festival, even after repeatedly suggesting to Alam that it would take part. What's more, an exchange program involving Indian and Bangladeshi professionals has stalled thanks in no small measure to the foot-dragging in Delhi.

When attempts are being made to bridge differences and brings people together, the Indian High Commission appears to have killed a golden opportunity. How very sad. I am troubled by the way things are done in India and embarrassed that this should happen at all. It would appear that despite India's "liberalization" programs, we still have a long, long way to go.

Continue reading "Blinkered & Blind" »

Sunday, January 23, 2005

Stirring It Up

This is old news, but one that I couldn't let go by without some comment.

I think it is terrific that the world has mobilized to help those affected by the tsunami disaster in South and South East Asia. But I find it offensive when organizations of any guise decide to extend a helping hand under false pretenses or under duress.

Do it out of the goodness of your heart but do not expect anything in return. To act in any other way is simply un-Godly.

Tuesday, January 11, 2005

One Sided Coin?

Via Sheila Krishnan

Daniel Okrent, The New York Times' Public Editor, justifies the gray lady's use of horrific, yet telling images from the tsunami-struck areas of the world. It's an interesting read, though somewhat unconvincing. He writes:

When I spoke with director of photography Michele McNally, who believes the paper has the obligation "to bear witness" at moments like this, she had a question for me: "Wouldn't you want us to show pictures from Auschwitz if the gates were opened in our time?"

I would be very curious to read Ms. McNally's take on using similarly evocative images right after the 9/11 disaster or the bombing of the Federal Building in Oklahoma City. Would she have published images that showed the human element amongst the carnage at Ground Zero, or the grim remains after the bomb blast? I recall seeing images, surely horrific, of people plunging to their deaths from the disintegrating World Trade Center towers. Can anyone remember more intimate and somewhat grisly images from that ill-fated day? I am struggling to remember any of them. The images from Oklahoma, too, were conservative and restrained.

Their absence may, in large part, be due to the way the press has access to the scene. But it may also be an unwritten policy of self-censorship at most publications; in the interest of preserving the privacy and respect of those who are grieving. While I agree with this in principle, the lack of parity in the administration of this policy has me a little disgruntled.

How do Western publications get away with publishing images of strife and pain elsewhere in the world but fail to do the same right here at home? Does a grieving mother in Sri Lanka not have the same rights as that of a grieving mother in the US? Why is the policy different? Why do we extend this courtesy to those in the West, but disregard it when we train our cameras on people who don't look anything like us?Is this a one-sided coin?

It would be interesting to conduct a study on image usage in publications world wide - putting images side by side from disasters in the West and compared them to images from the recent disasters from South and South East Asia. I wouldn't be surprised if The Poynter Institute has already embarked on it. If anyone know of such a study at Poynter or elsewhere, please point it out to me.

Thursday, January 06, 2005

Hey Mr. DJ, “eff you too!”

A few years back I got robbed in Philly. So, it's not a city that I look to fondly and I dread hearing it mentioned every time my wife talks about her time at UPENN. Perhaps it is a latent form of post-traumatic stress disorder?

Anyway, now this brouhaha that is brewing over a Philadelphia radio station DJ spitting invectives - racist and misogynistic garbage - at a poor woman in “East India” who was only following a script and doing her job at a call center. If you must listen to this diatribe click here. If you want to skip the download, here is a transcript of that ugly exchange.

Anna, MoorishGirl, Turbanhead and SideAngleSide have all covered this well enough so, please click on those links to find out more.

Parroting their sentiments for raising hell, I say PLEASE use the following information as ammo and dive into action:

Below is the contact information to Power 99 (the radio station)
Station Address:
Power99 WUSL-FM
440 Domino Lane
Philadelphia, PA 19128

General/Business Line: 215.483.8900
Studio Hotlines:
Philly Area & Local: 215.263.6699
Worldwide: 800.669.99FM
Star & Buc: 1-860-247-1041

Programming:
Director of Urban Programming/Program Director: Thea Mitchem
Music Director: Coka Lani
Morning Show Producer: Sonjie DeCaires
News & Public Affairs Director: Loraine Ballard Morrill
Try this number too - 215-482-7936

As Side.Angle.Side says:

paper letters and faxes go much farther than emails which are easier to ignore, so if you haven't already, please write a physical letter. advertising revenue is more important to radio stations than listeners, so i would recommend making mention of a boycott against the station and their advertisers. you may also want to mention in your letter that you will be filing a complaint with the fcc, which you can do by writing to the following address:

federal communications commission
enforcement bureau
investigations & hearing division
445 12th street, sw
washington dc, 20554
fax 866.418.0232

chairman michael k. powell
commissioner kathleen q. abernathy
commissioner michael j. copps
commissioner kevin j. martin
commissioner jonathan s. adelstein

The loss of material goods is one thing. Loss of one's dignity quite another. There is really no two ways about it. Having suffered through several episodes of racial epithets here in the US, I find no humor in one of my own being treated this way. Some on this site say that this is a “crank” call. Fine. Don't come moaning to me when you get your ass whupped over being called a “dirty rat-eater.” It's neither funny nor cool then is it?

Time to step up and set the record straight. These DJ's were wrong, even in jest, to berate the woman. She didn't deserve to be treated that way. She bore no ill-will towards these DJs and quite likely didn't even know that she was unwittingly a participant in their prank, if it was that. A simple question to you folks - would you want your mother, your sister, your wife or your girlfriend to pick up the phone one day and have @$$&%*! like DJ Star and Buc talk to her like that? I think not.

Wise up - Voice up!

Saturday, January 01, 2005

Image Consciousness

Via Richard Prince

A well timed debate over what we have seen over the last few days after the disaster is slowly brewing.

I for one have been appalled at how the Western media has treated this whole disaster. Good that it is being covered, but the first few days were, in my opinion, a white wash; Western media covering Western (tourists) victims. I was aching for a local angle. It's not as if Western media couldn't find Enlgish/French/German speakers or local interpreters. NPR had a few audio clips of local relief agency workers and the BBC may have been, as an exception, the only network to truly "localize" the big story of 2004.

Thursday, December 30, 2004

A Different Mirror

Via S. Mitra Kalita

Ashok Malik, a writer for the Indian Express seems to think that media conglomerates in the West hold a different mirror to the current disaster in South and South East Asia. He feels networks like CNN and the BBC are more prone, and somewhat comfortable, showing corpses of brown bodies on their telecasts; something they deliberately shied away from after the 9/11 attack on the World Trade Center or The Pentagon in the interest of preserving the privacy of those families who were grieving.

What are your thoughts?

Wednesday, December 29, 2004

Apple's Turn

I am usually not one to jump on a bandwagon, but a few days back, I openly proclaimed my loyalty to Apple.

As you will see below, the company that brought us the Macintosh and more recently the iPod , wears its heart on its sleeve; where it matters. Despite one of the hottest “selling” seasons, Apple has moved away from pushing it wares to show compassion in this time of great need. The company's web site says it all.

Apple

Conversely, Microsoft which to great hoopla opened up a division in Hyderabad, India is more concerned now about stamping out Spam.

Microsoft

Perhaps it is a wee bit unfair to pick on the behemoth in Redmond, Washington. But I find the great difference in approach quite telling of the company's priorities.

Am I buying a new Macintosh in 2005? You betcha! And the advertisement you see below is intentional. Go Apple!

Banner

Monday, December 27, 2004

“Land Became A Sea”

Via Shahidul Alam

As we watch in horror at the scale of the event, several things come to mind. How events a thousand miles away can affect our lives in so many ways. How connected we are in our joys and our sorrow. I realise that Bangladesh was not as badly affected as our neighbours, and that we should take pride in our achievements, but Bangladeshi newspapers today gloated over the victory of the Bangladeshi cricket team over India in their headlines! While I fret over the fact that the media plays on the negative, to downplay a disaster of such proportions in favour of a cricket match said a lot about our sense of proportions. In 1991, when nearly a million people had gathered to demand the trial of a war criminal, the government had chosen to ignore the news and mentioned instead the man of the match in a cricket game in Shunamganj. I had hoped a free media would play a more responsible role.

As I watch BBC and CNN interview British and German tourists, and the director of Oxfam from her office in Oxford, I remember my experiences in the 1991 cyclone where one hundred and twenty thousand people died in Bangladesh. As I stumbled through the debris, trying to get a sense of what had happened on the night of the 29th April 2001, I kept asking “What happened that night?” The aid workers told me of the number of bags of wheat they had distributed. The government officials quoted the figure in dollars that would be needed for reconstruction, the engineers spoke of the force of the wind.

A young woman in Sandweep looked at me and said “The land became a sea, and the sea became a wave”.

I try to imagine the tsunamis hitting the coasts of India, and Sri Lanka and Indonesia, and remember her words. The thousands whose lives have been wrecked by the earthquake do not constitute the 'experts' that the media consider worth asking.

Shahidul Alam
27th December 2004
Dhaka

Monday, December 20, 2004

Copping Out

Cops in India must sure have it made. What pleasure do they engage in by falsely accusing and then arresting a revered spiritual and religious leader one week and an employee of a multi-national auction company another week?

Is due process in the world's largest democracy a running joke? Someone please tell me what the hell is going on back home. Are civil liberties on a steady decline? I still get chills replaying clips from Ardh Satya.

Thursday, November 11, 2004

!@&$ The South

Via Santhosh Daniel

Let the flames begin!

I think it is a hilarious take on what Rush Limbaugh and his ilk have had to say since the elections on November 2. Personally, I'll take the 5th on this one.

Monday, September 13, 2004

Profiling Journalists

"Here's the deal: It's not their damn business," he said.

The U.S. Secret Service is at it again asking journalists about their race. This is getting kind of annoying.

A telling sentence in Eun-Kyung Kim's article suggests a shift in the way credentials for journalists are being handled now: "Credentials for the 2000 presidential debates were handled by the Senate Press Gallery. Applications did not ask for race information."

My question is - why is race so important? Well, the article also states rather glibly that the infomation is necessary for the FBI database to cross-check "identifiers." Are you satisfied with the official response?